| The first excerpt represents the past or something you must release, and is drawn from The Cruise of the Jasper B. by Don Marquis: startlingly alike. Barton Ward and Watson Bard, Barnstable's two
assistants, might, indeed, almost have been taken for Barnstable
himself, at a casual glance. In height, in bulk, in dress, in
facial expression, they seemed Wilton Barnstable all over again.
But, looking intently at the three men, Cleggett began to
perceive a difference between the real Wilton Barnstable and his
two counterfeits. It was the difference between the face which is
informed of genius, and the countenance which is indicative of
mere talent.
"Mr. Cleggett," began Wilton Barnstable, "as I said before, I
will make no attempt to mystify you. I was a witness to the
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Communist Manifesto by Karl Marx: hurled down into the proletariat by the action of competition,
and, as modern industry develops, they even see the moment
approaching when they will completely disappear as an independent
section of modern society, to be replaced, in manufactures,
agriculture and commerce, by overlookers, bailiffs and shopmen.
In countries like France, where the peasants constitute far more
than half of the population, it was natural that writers who
sided with the proletariat against the bourgeoisie, should use,
in their criticism of the bourgeois regime, the standard of the
peasant and petty bourgeois, and from the standpoint of these
intermediate classes should take up the cudgels for the working
 The Communist Manifesto |
The third excerpt represents the future or something you must embrace, and is drawn from Records of a Family of Engineers by Robert Louis Stevenson: immediately let go. The peep of dawn discovered them swinging
in desperate proximity to the Isle of Swona (1) and the surf
bursting close under their stern. There was in this place a
hamlet of the inhabitants, fisher-folk and wreckers; their
huts stood close about the head of the beach. All slept; the
doors were closed, and there was no smoke, and the anxious
watchers on board ship seemed to contemplate a village of the
dead. It was thought possible to launch a boat and tow the
REGENT from her place of danger; and with this view a signal
of distress was made and a gun fired with a red-hot poker from
the galley. Its detonation awoke the sleepers. Door after
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