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Today's Stichomancy for Christopher Lee

The first excerpt represents the past or something you must release, and is drawn from The Cruise of the Jasper B. by Don Marquis:

startlingly alike. Barton Ward and Watson Bard, Barnstable's two assistants, might, indeed, almost have been taken for Barnstable himself, at a casual glance. In height, in bulk, in dress, in facial expression, they seemed Wilton Barnstable all over again. But, looking intently at the three men, Cleggett began to perceive a difference between the real Wilton Barnstable and his two counterfeits. It was the difference between the face which is informed of genius, and the countenance which is indicative of mere talent.

"Mr. Cleggett," began Wilton Barnstable, "as I said before, I will make no attempt to mystify you. I was a witness to the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Communist Manifesto by Karl Marx:

hurled down into the proletariat by the action of competition, and, as modern industry develops, they even see the moment approaching when they will completely disappear as an independent section of modern society, to be replaced, in manufactures, agriculture and commerce, by overlookers, bailiffs and shopmen.

In countries like France, where the peasants constitute far more than half of the population, it was natural that writers who sided with the proletariat against the bourgeoisie, should use, in their criticism of the bourgeois regime, the standard of the peasant and petty bourgeois, and from the standpoint of these intermediate classes should take up the cudgels for the working


The Communist Manifesto
The third excerpt represents the future or something you must embrace, and is drawn from Records of a Family of Engineers by Robert Louis Stevenson:

immediately let go. The peep of dawn discovered them swinging in desperate proximity to the Isle of Swona (1) and the surf bursting close under their stern. There was in this place a hamlet of the inhabitants, fisher-folk and wreckers; their huts stood close about the head of the beach. All slept; the doors were closed, and there was no smoke, and the anxious watchers on board ship seemed to contemplate a village of the dead. It was thought possible to launch a boat and tow the REGENT from her place of danger; and with this view a signal of distress was made and a gun fired with a red-hot poker from the galley. Its detonation awoke the sleepers. Door after