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Today's Stichomancy for Christopher Lee

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Twilight Land by Howard Pyle:

I floated on, and I would have floated past the Inn, and perhaps have gotten into the Land of Never-Come-Back-Again, only I caught at the branch of an apple-tree, and so I stopped myself, though the apple-blossoms came falling down like pink and white snowflakes.

The earth and the air and the sky were all still, just as it is at twilight, and I heard them laughing and talking in the tap-room of the Inn of the Sign of Mother Goose--the clinking of glasses, and the rattling and clatter of knives and forks and plates and dishes. That was where I wished to go.

So in I went. Mother Goose herself opened the door, and there I

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sylvie and Bruno by Lewis Carroll:

saying to myself--helplessly, as if in the clutches of a night-mare-- "they are only penciled in: no final touches as yet!" And he had a way of ending every sentence with a sudden smile, which spread like a ripple over that vast blank surface, and was gone in a moment, leaving behind it such absolute solemnity that I felt impelled to murmur "it was not he: it was somebody else that smiled!"

"Do you observe?" (such was the phrase with which the wretch began each sentence) "Do you observe the way in which that broken arch, at the very top of the ruin, stands out against the clear sky? It is placed exactly right: and there is exactly enough of it. A little more, or a little less, and all would be utterly spoiled!"


Sylvie and Bruno
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Plain Tales from the Hills by Rudyard Kipling:

was aware of a small figure in the dining-room--a tiny, plump figure in a ridiculously inadequate shirt which came, perhaps, half-way down the tubby stomach. It wandered round the room, thumb in mouth, crooning to itself as it took stock of the pictures. Undoubtedly this was the "little son."

He had no business in my room, of course; but was so deeply absorbed in his discoveries that he never noticed me in the doorway. I stepped into the room and startled him nearly into a fit. He sat down on the ground with a gasp. His eyes opened, and his mouth followed suit. I knew what was coming, and fled, followed by a long, dry howl which reached the servants' quarters far more quickly

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Commentary on the Epistle to the Galatians by Martin Luther:

instead of woman. But Paul is now treating of faith and Christian righteousness, of the person and office of Christ, not of the virginity of Mary. The inestimable mercy of God is sufficiently set forth by the fact that His Son was born of a woman. The more general term "woman" indicates that Christ was born a true man. Paul does not say that Christ was born of man and woman, but only of woman. That he has a virgin in mind is obvious.

This passage furthermore declares that Christ's purpose in coming was the abolition of the Law, not with the intention of laying down new laws, but "to redeem them that were under the law." Christ himself declared: "I judge no man." (John 8:15.) Again, "I came not to judge the world, but to save the world." (John 12:47.) In other words: "I came not to bring more laws, or to