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Today's Stichomancy for Cindy Crawford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Journey to the Center of the Earth by Jules Verne:

wherever his destiny guided him.

CHAPTER XXVI.

THE WORST PERIL OF ALL

It must be confessed that hitherto things had not gone on so badly, and that I had small reason to complain. If our difficulties became no worse, we might hope to reach our end. And to what a height of scientific glory we should then attain! I had become quite a Liedenbrock in my reasonings; seriously I had. But would this state of things last in the strange place we had come to? Perhaps it might.

For several days steeper inclines, some even frightfully near to the perpendicular, brought us deeper and deeper into the mass of the


Journey to the Center of the Earth
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Nada the Lily by H. Rider Haggard:

brother, and the face of the boy Umslopogaas and the face of Nada, my daughter, and then for the first time I knew that Umslopogaas was not dead, but only lost.

Now I turned in my vision, and looked at that bank of the river on which I stood. Then I saw that behind the bank was a cliff, mighty and black, and in the cliff were doors of ivory, and through them came light and the sound of laughter; there were other doors also, black as though fashioned of coal, and through them came darkness and the sounds of groans. I saw also that in front of the doors was set a seat, and on the seat was the figure of a glorious woman. She was tall, and she alone was white, and clad in robes of white, and her


Nada the Lily
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gone With the Wind by Margaret Mitchell:

would never be the same again. She thought of the four Tarletons, the red-haired twins and Tom and Boyd, and a passionate sadness caught at her throat. Why, either Stu or Brent might have been her husband. But now, when the war was over and she went back to Tara to live, she would never again hear their wild halloos as they dashed up the avenue of cedars. And Raiford Calvert, who danced so divinely, would never again choose her to be his partner. And the Munroe boys and little Joe Fontaine and--

"Oh, Ashley!" she sobbed, dropping her head into her hands. "I'll never get used to you being gone!"

She heard the front gate click and she hastily raised her head and


Gone With the Wind
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Land of Footprints by Stewart Edward White:

breeches so covered with them that their numbers actually imparted a reddish tinge to the surface of the cloth. This sounds like exaggeration, but it is a measured statement. The process of de-ticking (new and valuable word) can then be done only by scraping with the back of a hunting knife.

Some people, of tender skin, are driven nearly frantic by these pests. Others, of whom I am thankful to say I am one, get off comparatively easy. In a particularly bad tick country, one generally appoints one of the youngsters as "tick toto." It is then his job in life to de-tick any person or domestic animal requiring his services. His is a busy existence. But though at