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Today's Stichomancy for Cindy Crawford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Island Nights' Entertainments by Robert Louis Stevenson:

took his dwelling, and he made a fire drill, and a shell hook, and fished and cooked his fish, and climbed after green cocoanuts, the juice of which he drank, for in all the isle there was no water. The days were long to him, and the nights terrifying. He made a lamp of cocoa-shell, and drew the oil of the ripe nuts, and made a wick of fibre; and when evening came he closed up his hut, and lit his lamp, and lay and trembled till morning. Many a time he thought in his heart he would have been better in the bottom of the sea, his bones rolling there with the others.

All this while he kept by the inside of the island, for the huts were on the shore of the lagoon, and it was there the palms grew

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

to the function performed. The thing was excellently preserved up to the present top of the tower - a highly remarkable circumstance in view of its exposure - and its shelter had done much to protect the bizarre and disturbing cosmic sculptures on the walls. As we stepped out into the awesome half daylight of this monstrous cylinder bottom - fifty million years old, and without doubt the most primally ancient structure ever to meet our eyes - we saw that the ramp-traversed sides stretched dizzily up to a height of fully sixty feet. This, we recalled from our aerial survey, meant an outside glaciation of some forty feet; since the yawning


At the Mountains of Madness
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Legend of Sleepy Hollow by Washington Irving:

and in a hurry to get back to the churchyard before daybreak.

Such is the general purport of this legendary superstition, which has furnished materials for many a wild story in that region of shadows; and the spectre is known at all the country firesides, by the name of the Headless Horseman of Sleepy Hollow.

It is remarkable that the visionary propensity I have mentioned is not confined to the native inhabitants of the valley, but is unconsciously imbibed by every one who resides there for a time. However wide awake they may have been before they entered that sleepy region, they are sure, in a little time, to inhale the witching influence of the air, and begin to grow


The Legend of Sleepy Hollow
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Main Street by Sinclair Lewis:

though he had been married too long and too prosaically; an old farmer, solid, wholesome, but not clean--his face like a potato fresh from the earth. None of them had shaved for three days.

"If they can't build shrines, out here on the prairie, surely there's nothing to prevent their buying safety-razors!" she raged.

She fought herself: "I must be wrong. People do live here. It CAN'T be as ugly as--as I know it is! I must be wrong. But I can't do it. I can't go through with it."

She came home too seriously worried for hysteria; and when