The first excerpt represents the past or something you must release, and is drawn from The Touchstone by Edith Wharton: suddenly become visible to both. He took the letter mechanically.
"It's from Smyrna," she said. "Won't you read it?"
He handed it back. "You can tell me about it--his hand's so
illegible." He wandered to the other end of the room and then
turned and stood before her. "I've been thinking of writing to
Flamel," he said.
She looked up.
"There's one point," he continued, slowly, "that I ought to clear
up. I told him you'd known about the letters all along; for a
long time, at least; and I saw it hurt him horribly. It was just
what I meant to do, of course; but I can't leave him to that false
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Prince Otto by Robert Louis Stevenson: 'Then I don't know whose he is,' was the retort.
'You would put your hand in the fire for him to-morrow,' said Kuno,
facing round.
'Me!' cried the huntsman. 'I would see him hanged! I'm a Grunewald
patriot - enrolled, and have my medal, too; and I would help a
prince! I'm for liberty and Gondremark.'
'Well, it's all one,' said Kuno. 'If anybody said what you said,
you would have his blood, and you know it.'
'You have him on the brain,' retorted his companion. 'There he
goes!' he cried, the next moment.
And sure enough, about a mile down the mountain, a rider on a white
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The third excerpt represents the future or something you must embrace, and is drawn from The Brother of Daphne by Dornford Yates: to the probable venue of the performance was rife, while its
style, length, value, etc., were all frankly discussed. Many
were the questions raised, and many the inaccurate explanations
accepted as to the reason of our being; but though my companion
came in for some inevitable discussion, I was relieved to find
that my panache and a comic peculiarity of gait, which I thought
it as well from time to time to affect, proved usefully
diverting.
When the crowd had begun to assume considerable proportions,
Judy had slipped her arm in mine, and an answering pressure to my
encouraging squeeze told me that she was trying to buck up as
The Brother of Daphne |