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Today's Stichomancy for Claire Forlani

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Secret Agent by Joseph Conrad:

only. He meant nothing to me. He was as insignificant as - I can't call to mind anything insignificant enough to compare him with - except Karl Yundt perhaps. Like to like. The terrorist and the policeman both come from the same basket. Revolution, legality - counter moves in the same game; forms of idleness at bottom identical. He plays his little game - so do you propagandists. But I don't play; I work fourteen hours a day, and go hungry sometimes. My experiments cost money now and again, and then I must do without food for a day or two. You're looking at my beer. Yes. I have had two glasses already, and shall have another presently. This is a little holiday, and I celebrate it alone.


The Secret Agent
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Return of the Native by Thomas Hardy:

by a husband with such tendencies as these.

Yet he resolved to ask her, and let her decide for herself. It was even with a pleasant sense of doing his duty that he went downstairs to her one evening for this purpose, when the sun was printing on the valley the same long shadow of the housetop that he had seen lying there times out of number while his mother lived.

Thomasin was not in her room, and he found her in the front garden. "I have long been wanting, Thomasin," he began, "to say something about a matter that concerns both our futures."


Return of the Native
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Art of Writing by Robert Louis Stevenson:

been laid aside like its predecessors, and found a circuitous and unlamented way to the fire. Purists may suggest it would have been better so. I am not of that mind. The tale seems to have given much pleasure, and it brought (or, was the means of bringing) fire and food and wine to a deserving family in which I took an interest. I need scarcely say I mean my own.

But the adventures of TREASURE ISLAND are not yet quite at an end. I had written it up to the map. The map was the chief part of my plot. For instance, I had called an islet 'Skeleton Island,' not knowing what I meant, seeking only for

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Riders of the Purple Sage by Zane Grey:

rapid clatter of hoofs rapped sharply from the walls. The wind roared in her ears; the gleaming cliffs swept by; trail and sage and grass moved under her. Lassiter's bandaged, blood-stained face turned to her; he shouted encouragement; he looked back down the Pass; he spurred his horse. Jane clung on, spurring likewise. And the horses settled from hard, furious gallop into a long-stridng, driving run. She had never ridden at anything like that pace; desperately she tried to get the swing of the horse, to be of some help to him in that race, to see the best of the ground and guide him into it. But she failed of everything except to keep her seat the saddle, and to spur and spur. At times she


Riders of the Purple Sage