| The first excerpt represents the past or something you must release, and is drawn from Faraday as a Discoverer by John Tyndall: counter: his conversation with me was too low to be heard by her,
and he now turned to the counter to buy some cards as an excuse for
our being there. He asked the woman her name--her predecessor's
name-- his predecessor's name. 'That won't do,' he said, with
good-humoured impatience; 'who was his predecessor?' 'Mr. Riebau,'
she replied, and immediately added, as if suddenly recollecting
herself, 'He, sir, was the master of Sir Charles Faraday.'
'Nonsense!' he responded, 'there is no such person.' Great was her
delight when I told her the name of her visitor; but she assured me
that as soon as she saw him running about the shop, she felt-though
she did not know why--that it must be 'Sir Charles Faraday.'
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Rivers to the Sea by Sara Teasdale: Then I said, "Oh who am I
To scorn God to his face?
I will bow my head and stay
And suffer with my race."
GIFTS
I GAVE my first love laughter,
I gave my second tears,
I gave my third love silence
Thru all the years.
My first love gave me singing,
My second eyes to see,
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The third excerpt represents the future or something you must embrace, and is drawn from Tik-Tok of Oz by L. Frank Baum: just as Ruggedo used to do; but no one answered
the summons.
"Of course not," said he, jumping up from the
throne, where he had seated himself. "That is my
call, and I am still the Royal Chamberlain, and
will be until I appoint another in my place."
So he ran out of the room and found Guph and
told him to answer the summons of the King's gong.
Having returned to the royal cavern, Kaliko first
pounded the gong and then sat in the throne,
wearing Ruggedo's discarded ruby crown and holding
Tik-Tok of Oz |
