| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Europeans by Henry James: deeply-set window, which threw the shadows of everything back
into the house. There were high-backed chairs along the wall
and big Eastern vases upon tables, and, on either side,
a large cabinet with a glass front and little curiosities within,
dimly gleaming. The doors were open--into the darkened parlor,
the library, the dining-room. All these rooms seemed empty.
Eugenia passed along, and stopped a moment on the threshold of each.
"Comme c'est bien!" she murmured again; she had thought of just
such a house as this when she decided to come to America.
She opened the front door for herself--her light tread had summoned
none of the servants--and on the threshold she gave a last look.
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson: terrors. Wherefore, as soon as our household had fallen into a
regular routine, and the bonds of Samoan family life began to draw
us more closely together, Tusitala felt the necessity of including
our retainers in our evening devotions. I suppose ours was the
only white man's family in all Samoa, except those of the
missionaries, where the day naturally ended with this homely,
patriarchal custom. Not only were the religious scruples of the
natives satisfied, but, what we did not foresee, our own
respectability - and incidentally that of our retainers - became
assured, and the influence of Tusitala increased tenfold.
After all work and meals were finished, the 'pu,' or war conch, was
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tin Woodman of Oz by L. Frank Baum: a real fairy, had been transformed and enslaved by this
huge woman, who claimed to be a Yookoohoo, what was
liable to happen to them? Said the Scarecrow, twisting
his stuffed head around in Mrs. Yoop's direction:
"Do you know, Ma'am, who we are?"
"Of course," said she; "a straw man, a tin man and a boy."
"We are very important people," declared the Tin Woodman.
"All the better," she replied. "I shall enjoy your
society the more on that account. For I mean to keep
you here as long as I live, to amuse me when I get
lonely. And," she added slowly, "in this Valley no one
 The Tin Woodman of Oz |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn: were---And she must not come in here,---jamais! ... Carmen, did
you know Adele,---Adele Florane? So like her,---so like,---God
only knows how like! ... Perhaps I think I know;---but I do
not---do not know justly, fully---how like! ... Si! si!---es el
vomito!---yo lo conozco, Carmen! ... She must not die twice ... I
died twice ... I am going to die again. She only once. Till the
heavens be no more she will not rise ... Moi, au contraire, il
faut que je me leve toujours! They need me so much;---the slate
is always full; the bell will never stop. They will ring that
bell for me when I am dead ... So will I rise again!---resurgam!
... How could I save him?---could not save myself. It was a bad
|