| The first excerpt represents the past or something you must release, and is drawn from The Great God Pan by Arthur Machen: very civil letter from an English doctor practising at Buenos
Ayres, stating that he had attended the late Mr. Meyrick during
his illness, and that the deceased had expressed an earnest wish
that the enclosed packet should be sent to me after his death.
That was all."
"And haven't you written for further particulars?"
"I have been thinking of doing so. You would advise me
to write to the doctor?"
"Certainly. And what about the book?"
"It was sealed up when I got it. I don't think the
doctor had seen it."
 The Great God Pan |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Crito by Plato: of the state...
The days of Socrates are drawing to a close; the fatal ship has been seen
off Sunium, as he is informed by his aged friend and contemporary Crito,
who visits him before the dawn has broken; he himself has been warned in a
dream that on the third day he must depart. Time is precious, and Crito
has come early in order to gain his consent to a plan of escape. This can
be easily accomplished by his friends, who will incur no danger in making
the attempt to save him, but will be disgraced for ever if they allow him
to perish. He should think of his duty to his children, and not play into
the hands of his enemies. Money is already provided by Crito as well as by
Simmias and others, and he will have no difficulty in finding friends in
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The third excerpt represents the future or something you must embrace, and is drawn from Maggie: A Girl of the Streets by Stephen Crane: felt instant admiration for a man who openly defied it. She
thought that if the grim angel of death should clutch his heart,
Pete would shrug his shoulders and say: "Oh, ev'ryt'ing goes."
She anticipated that he would come again shortly. She spent
some of her week's pay in the purchase of flowered cretonne for a
lambrequin. She made it with infinite care and hung it to the
slightly-careening mantel, over the stove, in the kitchen. She
studied it with painful anxiety from different points in the room.
She wanted it to look well on Sunday night when, perhaps, Jimmie's
friend would come. On Sunday night, however, Pete did not appear.
Afterward the girl looked at it with a sense of humiliation.
 Maggie: A Girl of the Streets |