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Today's Stichomancy for David Boreanaz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from When a Man Marries by Mary Roberts Rinehart:

felt Mr. Harbison's stolen watch slip out of my girdle, slide greasily across my lap, and clatter to the floor. Flannigan stooped, but luckily it had gone under the table. To have had it picked up, to have had to explain how I got it, to see them try to ignore my picture pasted in it--oh, it was impossible! I put my foot over it.

"Drop something?" Dallas asked perfunctorily, rising. Flannigan was still half kneeling.

"A fork," I said, as easily as I could, and the conversation went on. But Flannigan knew, and I knew he knew. He watched my every movement like a hawk after that, standing just behind my chair. I

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The House of Dust by Conrad Aiken:

Sometimes, I glimpse these infinite perspectives In intimate talk (with such as you) and shrink . . .

'One feels so petty!--One feels such--emptiness!--' You mimic horror, let fall your lifted hand, And smile at me; with brooding tenderness . . . Alone on darkened waters I fall and rise; Slow waves above me break, faint waves of cries.

'And then these colors . . . but who would dare describe them? This faint rose-coral pink . . this green--pistachio?-- So insubstantial! Like the dim ghostly things Two lovers find in love's still-twilight chambers . . .

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Lesser Bourgeoisie by Honore de Balzac:

girl's heart, where he was installed on condition of giving religious satisfaction,--a requirement to which he showed himself refractory.

But in all these plans and schemes various drawbacks confronted him. To enlarge the horizon of the Thuilliers was for la Peyrade to run the chance of creating competition for the confidence and admiration of which he had been till then the exclusive object. In the sort of provincial life they had hitherto lived, Brigitte and his dear, good friend placed him, for want of comparison, at a height from which the juxtaposition of other superiorities and elegances must bring him down. So, then, apart from the blows covertly dealt him by Madame de Godollo, the idea of the transpontine emigration had proved to be, on

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Midsummer Night's Dream by William Shakespeare:

Didst thou not leade him through the glimmering night From Peregenia, whom he rauished? And make him with faire Eagles breake his faith With Ariadne, and Antiopa? Que. These are the forgeries of iealousie, And neuer since the middle Summers spring Met we on hil, in dale, forrest, or mead, By paued fountaine, or by rushie brooke, Or in the beached margent of the sea, To dance our ringlets to the whistling Winde, But with thy braules thou hast disturb'd our sport.


A Midsummer Night's Dream