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Today's Stichomancy for David Bowie

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Salammbo by Gustave Flaubert:

Then Salammbo was seen on the platform of her terrace. She ran wildly about it from left to right. Hamilcar perceived her. It seemed to him that she was holding up her arms towards him to ask for pardon; with a gesture of horror he plunged into the elephants' park.

These animals were the pride of the great Punic houses. They had carried their ancestors, had triumphed in the wars, and they were reverenced as being the favourites of the Sun.

Those of Megara were the strongest in Carthage. Before he went away Hamilcar had required Abdalonim to swear that he would watch over them. But they had died from their mutilations; and only three remained, lying in the middle of the court in the dust before the


Salammbo
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Tramp Abroad by Mark Twain:

recent dog and the translated cat.

CHAPTER XXVII [I Spare an Awful Bore]

Close by the Lion of Lucerne is what they call the "Glacier Garden"--and it is the only one in the world. It is on high ground. Four or five years ago, some workmen who were digging foundations for a house came upon this interesting relic of a long-departed age. Scientific men perceived in it a confirmation of their theories concerning the glacial period; so through their persuasions the little tract of ground was bought

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Apology by Plato:

when he argues that he never could have corrupted the men with whom he had to live; or, when he proves his belief in the gods because he believes in the sons of gods, is he serious or jesting? It may be observed that these sophisms all occur in his cross-examination of Meletus, who is easily foiled and mastered in the hands of the great dialectician. Perhaps he regarded these answers as good enough for his accuser, of whom he makes very light. Also there is a touch of irony in them, which takes them out of the category of sophistry. (Compare Euthyph.)

That the manner in which he defends himself about the lives of his disciples is not satisfactory, can hardly be denied. Fresh in the memory of the Athenians, and detestable as they deserved to be to the newly

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Happy Prince and Other Tales by Oscar Wilde:

One winter morning he looked out of his window as he was dressing. He did not hate the Winter now, for he knew that it was merely the Spring asleep, and that the flowers were resting.

Suddenly he rubbed his eyes in wonder, and looked and looked. It certainly was a marvellous sight. In the farthest corner of the garden was a tree quite covered with lovely white blossoms. Its branches were all golden, and silver fruit hung down from them, and underneath it stood the little boy he had loved.

Downstairs ran the Giant in great joy, and out into the garden. He hastened across the grass, and came near to the child. And when he came quite close his face grew red with anger, and he said, "Who