Today's Stichomancy for David Bowie

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Rivers to the Sea by Sara Teasdale:

Filled with love's happy shame from other eyes,

RIVERS TO THE SEA

Dazzled with tenderness and drowned in light As tho' you looked unthinking at the sun, Oh Litis, that is joy! But if you came Not from the sunny shallow pool of sleep, But from the sea of death, the strangling sea Of night and nothingness, and waked to find Love looking down upon you, glad and still, Strange and yet known forever, that is peace. So did he lean above me. Not a word

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Underground City by Jules Verne:

lighted by the electric lamps at full power.

Mining operations were being carried on with the greatest activity; coal was being piled incessantly into the trucks, which went in hundreds to empty themselves into the corves at the bottom of the shaft. While parties of miners who

had labored during the night were taking needful rest, the others worked without wasting an hour.

Old Simon Ford and Madge, having finished their dinner, were resting at the door of their cottage. Simon smoked a good pipe of tobacco, and from time to time the old couple spoke of Nell, of their boy, of Mr. Starr, and wondered how they liked their trip to the surface

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Paradise Lost by John Milton:

The savour of death from all things there that live: Nor shall I to the work thou enterprisest Be wanting, but afford thee equal aid. So saying, with delight he snuffed the smell Of mortal change on earth. As when a flock Of ravenous fowl, though many a league remote, Against the day of battle, to a field, Where armies lie encamped, come flying, lured With scent of living carcasses designed For death, the following day, in bloody fight: So scented the grim Feature, and upturned

Paradise Lost

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Christ in Flanders by Honore de Balzac:

must we not die?" And then--I wandered on, musing on the doubtful future, on my blighted hopes. Gnawed by these gloomy thoughts, I turned mechanically into the convent church, with the gray towers that loomed like ghosts though the sea mists. I looked round with no kindling of the imagination at the forest of columns, at the slender arches set aloft upon the leafy capitals, a delicate labyrinth of sculpture. I walked with careless eyes along the side aisles that opened out before me like vast portals, ever turning upon their hinges. It was scarcely possible to see, by the dim light of the autumn day, the sculptured groinings of the roof, the delicate and clean-cut lines of the mouldings of the graceful pointed arches. The