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Today's Stichomancy for Dean Martin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Arizona Nights by Stewart Edward White:

"Wonder what's eating HIM!" marvelled Senor Johnson, "--and who is it?" The figure drew steadily nearer. In half an hour it had approached near enough to be recognised. "Why, it's Jed!" cried the Senor, and spurred his horse. "What do you mean, riding out with that foot?" he demanded sternly, when within hailing distance.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rinkitink In Oz by L. Frank Baum:

slave for Queen Cor, who loves to tickle fat men, and see them jump."

King Rinkitink was filled with horror when he heard this, but the Prince answered as boldly as before, saying:

"We are not to be frightened by bluster, believe me; nor are we so weak as you imagine. We have magic powers so great and terrible that no host of warriors can possibly withstand us, and therefore I call upon you to surrender your city and your island to us, before we crush you with our mighty powers."


Rinkitink In Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Little Britain by Washington Irving:

dignity of the Cross-Keys Square, and the Trotters for the vicinity of St. Bartholomew's.

Thus is this little territory torn by factions and internal dissensions, like the great empire who name it bears; and what will be the result would puzzle the apothecary himself, with all his talent at prognostics, to determine; though I apprehend that it will terminate in the total downfall of genuine John Bullism.

The immediate effects are extremely unpleasant to me. Being a single man, and, as I observed before, rather an idle good-for-nothing personage, I have been considered the only gentleman by profession in the place. I stand therefore in high

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from House of Mirth by Edith Wharton:

with a cold precision unmodified by shade or colour, and refracted, as it were, from the blank walls of the surrounding limitations: she had opened windows from which no sky was ever visible. But the idealist subdued to vulgar necessities must employ vulgar minds to draw the inferences to which he cannot stoop; and it was easier for Lily to let Mrs. Fisher formulate her case than to put it plainly to herself. Once confronted with it, however, she went the full length of its consequences; and these had never been more clearly present to her than when, the next afternoon, she set out for a walk with Rosedale.

It was one of those still November days when the air is haunted