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Today's Stichomancy for Dick Cheney

The first excerpt represents the past or something you must release, and is drawn from The Two Noble Kinsmen by William Shakespeare:

Store never hurtes good Gouernours.

PERITHOUS.

Though I know His Ocean needes not my poore drops, yet they Must yeild their tribute there. My precious Maide, Those best affections, that the heavens infuse In their best temperd peices, keepe enthroand In your deare heart.

EMILIA.

Thanckes, Sir. Remember me To our all royall Brother, for whose speede

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Message by Honore de Balzac:

"Yes. But for pity's sake, control yourself. . . . He intrusted me with secrets that concern you, and you may be sure that never messenger could be more discreet nor more devoted than I."

"What is the matter with him?"

"How if he loved you no longer?"

"Oh! that is impossible!" she cried, and a faint smile, nothing less than frank, broke over her face. Then all at once a kind of shudder ran through her, and she reddened, and she gave me a wild, swift glance as she asked:

"Is he alive?"

Great God! What a terrible phrase! I was too young to bear that

The third excerpt represents the future or something you must embrace, and is drawn from Moon-Face and Other Stories by Jack London:

anxieties greater."

"I should go away, I know I should go away," he said, half under his breath. "And I can. I am no weakling. Because I have failed to remain away once, is no reason that I shall fail again."

She caught her breath with a quick gasp. "It is like a bereavement to hear you speak of going away and remaining away. I should never see you again. It is too terrible. And do not reproach yourself for weakness. It is I who am to blame. It is I who prevented you from remaining away before, I know. I wanted you so. I want you so.

"There is nothing to be done, Chris, nothing to be done but to go on with it and let it work itself out somehow. That is one thing we are sure of: it will