| The first excerpt represents the past or something you must release, and is drawn from The Scarecrow of Oz by L. Frank Baum: lives in the Em'rald City, you know, and so does the
Scarecrow and the Tin Woodman and Tik-Tok and the Shaggy
Man -- and all the rest of 'em that we've heard so much
about -- not to mention Ozma, who must be the sweetest
and loveliest girl in all the world!"
"Take your time, Trot," advised Button-Bright. "You
don't have to say it all in one breath, you know. And you
haven't mentioned half of the curious people in the
Em'rald City."
"That 'ere Em'rald City," said Cap'n Bill impressively,
"happens to be on the other side o' those mountains, that
 The Scarecrow of Oz |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Profits of Religion by Upton Sinclair: started to write "underfed millions"--are humbly grateful for
these services, and hasten to buy copies of the pious weekly
which tells about them.
The "Outlook" runs a column of "current events" in which it tells
what is happening in the world; and sometimes it is compelled to
tell of happenings against the interests of "the great mass of
American wealth". The cynical reader will find amusement in
following its narrative of the affairs of the New Haven during
the five years subsequent to the publication of the Baxter
article.
First came the collapse of the road's service; a series of
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The third excerpt represents the future or something you must embrace, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton: undefinable change that made her restless in his absence, and as
tongue-tied in his presence as though it were SHE who had a
secret to keep from him!
The thought that there WAS a secret somewhere between them struck
her with a sudden smart rap of wonder, and she looked about her
down the dim, long room.
"Can it be the house?" she mused.
The room itself might have been full of secrets. They seemed to
be piling themselves up, as evening fell, like the layers and
layers of velvet shadow dropping from the low ceiling, the dusky
walls of books, the smoke-blurred sculpture of the hooded hearth.
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