| The first excerpt represents the past or something you must release, and is drawn from The Princess by Alfred Tennyson: A word, but one, one little kindly word,
Not one to spare her: out upon you, flint!
You love nor her, nor me, nor any; nay,
You shame your mother's judgment too. Not one?
You will not? well--no heart have you, or such
As fancies like the vermin in a nut
Have fretted all to dust and bitterness.'
So said the small king moved beyond his wont.
But Ida stood nor spoke, drained of her force
By many a varying influence and so long.
Down through her limbs a drooping languor wept:
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber: It appeared that my presence was the ground for a heavy
German joke in connection with the youngest of the
aborigines. He was a very plump and greasy looking
aborigine with a doll-like rosiness of cheek and a scared
and bristling pompadour and very small pig-eyes. The
other aborigines clapped him on the back and roared:
"Ai Fritz! Jetzt brauchst du nicht zu weinen! Deine
Lena war aber nicht so huebsch, eh? "
Later I learned that Fritz was the newest arrival and
that since coming to this country he had been rather low
in spirits in consequence of a certain flaxen-haired Lena
|
The third excerpt represents the future or something you must embrace, and is drawn from The Apology by Xenophon: prosodeuoito, oukh eileto}. Cf. id. 65, 74.
[35] See "Hell." II. ii. 10.
[36] {oikteirein eautous}. See L. Dind. ad loc. For an incident in
point see "Mem." II. vii.
[37] Plat. "Rep." iii. 404 D, "refinements of Attic confectionery."
[38] {ek tes psukhes}, possibly "by a healthy appetite." Cf. "Symp."
iv. 41. The same sentiment "ex ore Antisthenis." See Joel, op.
cit. i. 382; Schanz, Plat. "Apol." p. 88, S. 26.
"Nay, bless my soul," exclaimed Meletus, "I know those whom you
persuaded to obey yourself rather than the fathers who begat
them."[39]
 The Apology |