The first excerpt represents the past or something you must release, and is drawn from The Death of the Lion by Henry James: nervously and walked away. His visitor paid no heed to his
withdrawal; but opened out the note-book with a more fatherly pat.
"Dora Forbes, I gather, takes the ground, the same as Guy
Walsingham's, that the larger latitude has simply got to come. He
holds that it has got to be squarely faced. Of course his sex
makes him a less prejudiced witness. But an authoritative word
from Mr. Paraday - from the point of view of HIS sex, you know -
would go right round the globe. He takes the line that we HAVEN'T
got to face it?"
I was bewildered: it sounded somehow as if there were three sexes.
My interlocutor's pencil was poised, my private responsibility
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Droll Stories, V. 1 by Honore de Balzac: name, which was Cochegrue, like that of his brother the captain.
Pille-grue had a lean body, seemed to throw off very cold water, was
pale of face, and possessed a physiognomy like a polecat.
This notwithstanding, he was worth many a penny more than the captain,
and had for his uncle a little affection, but since about two years
his heart had cracked a little, and drop by drop his gratitude had run
out, in such a way that from time to time, when the air was damp, he
liked to put his feet into his uncle's hose, and press in advance the
juice of this good inheritance. He and his brother, the soldier found
their share very small, since loyally, in law, in fact, in justice, in
nature, and in reality, it was necessary to give the third part of
 Droll Stories, V. 1 |
The third excerpt represents the future or something you must embrace, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn: plantation-residences have been converted into rustic hotels, and
the negro-quarters remodelled into villages of cozy cottages for
the reception of guests. But with its imposing groves of oak,
its golden wealth of orange-trees, its odorous lanes of oleander.
its broad grazing-meadows yellow-starred with wild camomile,
Grande Isle remains the prettiest island of the Gulf; and its
loveliness is exceptional. For the bleakness of Grand Terre is
reiterated by most of the other islands,--Caillou, Cassetete,
Calumet, Wine Island, the twin Timbaliers, Gull Island, and the
many islets haunted by the gray pelican,--all of which are little
more than sand-bars covered with wiry grasses, prairie-cane, and
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