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Today's Stichomancy for Edgar Allan Poe

The first excerpt represents the past or something you must release, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

against a rising moon. Certainly, men reached Leng from very different oceans. Of other boundaries of Inquanok those sailors had no notion, nor had they heard of the cold waste and unknown Kadath save from vague unplaced report. And of the marvellous sunset city which Carter sought they knew nothing at all. So the traveller asked no more of far things, but bided his time till he might talk with those strange men from cold and twilight Inquanok who are the seed of such gods as carved their features on Ngranek. Late in the day the galleon reached those bends of the river which traverse the perfumed jungles of Kied. Here Carter wished he might


The Dream-Quest of Unknown Kadath
The second excerpt represents the present or the deciding factor of the moment, and is drawn from On Revenues by Xenophon:

employed. And so it is to-day with the owners of slaves working in the mines; no one dreams of reducing the number of his hands. On the contrary, the object is perpetually to acquire as many additional hands as the owner possibly can. The fact is that with few hands to dig and search, the find of treasure will be small, but with an increase in labour the discovery of the ore itself is more than proportionally increased. So much so, that of all operations with which I am acquainted, this is the only one in which no sort of jealousy is felt at a further development of the industry.[4] I may go a step farther; every proprietor of a farm will be able to tell you exactly how many yoke of oxen are sufficient for the estate, and how

The third excerpt represents the future or something you must embrace, and is drawn from In the Cage by Henry James:

anything square and smooth and whole had its weight for a person still conscious herself of being a mere bruised fragment of wreckage. But it contributed hugely at present to carry on the two parallel lines of her experience in the cage and her experience out of it. After keeping quiet for some time about this opposition she suddenly--one Sunday afternoon on a penny chair in the Regent's Park--broke, for him, capriciously, bewilderingly, into an intimation of what it came to. He had naturally pressed more and more on the point of her again placing herself where he could see her hourly, and for her to recognise that she had as yet given him no sane reason for delay he had small need to describe himself as