| The first excerpt represents the past or something you must release, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri: The other, nearest, who adorns our quire,
Was Peter, he that with the widow gave
To holy church his treasure. The fifth light,
Goodliest of all, is by such love inspired,
That all your world craves tidings of its doom:
Within, there is the lofty light, endow'd
With sapience so profound, if truth be truth,
That with a ken of such wide amplitude
No second hath arisen. Next behold
That taper's radiance, to whose view was shown,
Clearliest, the nature and the ministry
The Divine Comedy (translated by H.F. Cary) |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Domestic Peace by Honore de Balzac: Now and then a few words were spoken--PASS, PLAY, I STOP, A THOUSAND
LOUIS, TAKEN--but, looking at the five motionless men, it seemed as
though they talked only with their eyes. As the Colonel, alarmed by
Soulanges' pallor, went up to him, the Count was winning. Field-
Marshal the Duc d'Isemberg, Keller, and a famous banker rose from the
table completely cleaned out of considerable sums. Soulanges looked
gloomier than ever as he swept up a quantity of gold and notes; he did
not even count it; his lips curled with bitter scorn, he seemed to
defy fortune rather than be grateful for her favors.
"Courage," said the Colonel. "Courage, Soulanges!" Then, believing he
would do him a service by dragging him from play, he added: "Come with
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The third excerpt represents the future or something you must embrace, and is drawn from Ion by Plato: have an element of limitation. Sense or passion are too much for the 'dry
light' of intelligence which mingles with them and becomes discoloured by
them. Imagination is often at war with reason and fact. The concentration
of the mind on a single object, or on a single aspect of human nature,
overpowers the orderly perception of the whole. Yet the feelings too bring
truths home to the minds of many who in the way of reason would be
incapable of understanding them. Reflections of this kind may have been
passing before Plato's mind when he describes the poet as inspired, or
when, as in the Apology, he speaks of poets as the worst critics of their
own writings--anybody taken at random from the crowd is a better
interpreter of them than they are of themselves. They are sacred persons,
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