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Today's Stichomancy for Edward Norton

The first excerpt represents the past or something you must release, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

reached me in a distant part of the country--a letter from him-- which, in its wildly importunate nature, had admitted of no other than a personal reply. The MS gave evidence of nervous agitation. The writer spoke of acute bodily illness--of a mental disorder which oppressed him--and of an earnest desire to see me, as his best, and indeed his only personal friend, with a view of attempting, by the cheerfulness of my society, some alleviation of his malady. It was the manner in which all this, and much more, was said--it was the apparent heart that went with his request--which allowed me no room for hesitation; and I accordingly obeyed forthwith what I still considered a very


The Fall of the House of Usher
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Glaucus/The Wonders of the Shore by Charles Kingsley:

the habit of mind which regards each fact and discovery, not as our own possession, but as the possession of its Creator, independent of us, our tastes, our needs, or our vain-glory, I hardly need to speak; for it is the very essence of a nature's faculty - the very tenure of his existence: and without truthfulness science would be as impossible now as chivalry would have been of old.

And last, but not least, the perfect naturalist should have in him the very essence of true chivalry, namely, self-devotion; the desire to advance, not himself and his own fame or wealth, but knowledge and mankind. He should have this great virtue; and in spite of many shortcomings (for what man is there who liveth and

The third excerpt represents the future or something you must embrace, and is drawn from Memories and Portraits by Robert Louis Stevenson:

Providence, on the score of deficient rain or untimely frosts.

There was one thing in the garden that shared his preference with his favourite cabbages and rhubarb, and that other was the beehive. Their sound, their industry, perhaps their sweet product also, had taken hold of his imagination and heart, whether by way of memory or no I cannot say, although perhaps the bees too were linked to him by some recollection of Manor braes and his country childhood. Nevertheless, he was too chary of his personal safety or (let me rather say) his personal dignity to mingle in any active office towards them. But he could stand by while one of the contemned rivals did the work for him, and protest that it was quite safe in