| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gobseck by Honore de Balzac: exchange already, she will sink to the lowest depths of degradation
before she has done!'--I scrutinized him during the deep silence that
followed, but in a moment he spoke again. 'Well,' he said, 'do you
think that it is nothing to have this power of insight into the
deepest recesses of the human heart, to embrace so many lives, to see
the naked truth underlying it all? There are no two dramas alike:
there are hideous sores, deadly chagrins, love scenes, misery that
soon will lie under the ripples of the Seine, young men's joys that
lead to the scaffold, the laughter of despair, and sumptuous banquets.
Yesterday it was a tragedy. A worthy soul of a father drowned himself
because he could not support his family. To-morrow is a comedy; some
 Gobseck |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Chouans by Honore de Balzac: voice. "But I have no right to exact your confidence. You will never
know the extent of your obligations to me; I shall not explain them."
They walked a few steps in silence.
"My life does interest you," said the young man.
"Monsieur, I implore you, tell me your name or else be silent. You are
a child," she added, with an impatient movement of her shoulders, "and
I feel a pity for you."
The obstinacy with which she insisted on knowing his name made the
pretended sailor hesitate between prudence and love. The vexation of a
desired woman is powerfully attractive; her anger, like her
submission, is imperious; many are the fibres she touches in a man's
 The Chouans |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Art of War by Sun Tzu: (3) a hasty temper, which can be provoked by insults;
[Tu Mu tells us that Yao Hsing, when opposed in 357 A.D. by
Huang Mei, Teng Ch`iang and others shut himself up behind his
walls and refused to fight. Teng Ch`iang said: "Our adversary
is of a choleric temper and easily provoked; let us make constant
sallies and break down his walls, then he will grow angry and
come out. Once we can bring his force to battle, it is doomed to
be our prey." This plan was acted upon, Yao Hsiang came out to
fight, was lured as far as San-yuan by the enemy's pretended
flight, and finally attacked and slain.]
(4) a delicacy of honor which is sensitive to shame;
 The Art of War |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from O Pioneers! by Willa Cather: physical weakness and his desire to be com-
forted by his wife. He wanted to get into his
own bed. Had his wife been at home, he would
have turned and gone back to her meekly
enough.
VIII
 O Pioneers! |