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Today's Stichomancy for Eliza Dushku

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Z. Marcas by Honore de Balzac:

hopes rising in a towering wave only to break in foam on the shoal; the wonders wrought in reconciling adverse interests which, after working together for a week, fell asunder; the annoyance, a thousand times repeated, of seeing a dunce decorated with the Legion of Honor, and preferred, though as ignorant as a shop-boy, to a man of talent. Then, what Marcas called the stratagems of stupidity--you strike a man, and he seems convinced, he nods his head--everything is settled; next day, this india-rubber ball, flattened for a moment, has recovered itself in the course of the night; it is as full of wind as ever; you must begin all over again; and you go on till you understand that you are not dealing with a man, but with a lump of gum that loses

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ivanhoe by Walter Scott:

spear, overthrown two knights, and foiled a third.

At length, as the Saracenic music of the challengers concluded one of those long and high flourishes with which they had broken the silence of the lists, it was answered by a solitary trumpet, which breathed a note of defiance from the northern extremity. All eyes were turned to see the new champion which these sounds announced, and no sooner were the barriers opened than he paced into the lists. As far as could be judged of a man sheathed in armour, the new adventurer did not


Ivanhoe
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Adieu by Honore de Balzac:

and giving forth a murmuring sound that rose at times to frightful outbursts. Driven by famine and despair, these poor wretches must have rifled the carriage before de Sucy reached it. The old general and his young wife, whom he had left lying in piles of clothes and wrapped in mantles and pelisses, were now on the snow, crouching before the fire. One door of the carriage was already torn off.

No sooner did the men about the fire hear the tread of the major's horse than a hoarse cry, the cry of famine, arose,--

"A horse! a horse!"

Those voices formed but one voice.

"Back! back! look out for yourself!" cried two or three soldiers,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Herland by Charlotte Gilman:

sketched with swift sure touches a sort of sheep or llama," and these"--dogs, of two or three kinds, "that that"--pointing to my absurd but recognizable horse.

"What became of them?" asked Jeff.

"We do not want them anymore. They took up too much room--we need all our land to feed our people. It is such a little country, you know."

"Whatever do you do without milk?" Terry demanded incredulously.

"MILK? We have milk in abundance--our own."

"But--but--I mean for cooking--for grown people," Terry blundered, while they looked amazed and a shade displeased.

Jeff came to the rescue. "We keep cattle for their milk, as well as


Herland