| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Mother by Owen Wister: good position for the narrator of the evening, and baptised "The
Singstool" by Mr. Graves. Mr. Graves was an ardent Wagnerian, and
especially devoted to The Mastersingers of Nuremberg.
"Shall we have," he whispered to Mr. Hillard, "a Beckmesser fiasco
to-night, or will it be a Walter success?"
But Mr. Hillard, besides being an author and a critic, cared little for
the too literary cleverness of Mr. Graves. He therefore heavily crushed
that gentleman's allusion to Wagner's opera. "I remember," he said, "the
singing contest between Beckmesser and Walter, and I doubt if we are to
be afflicted with anything so dull in this house."
Richard had settled himself in the easy-chair, and was looking
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from De Profundis by Oscar Wilde: friends with him any more, or ever be in his company. It was a
terrible shock to him, but we are friends, and I have not got his
friendship on false pretences.
Emotional forces, as I say somewhere in INTENTIONS, are as limited
in extent and duration as the forces of physical energy. The
little cup that is made to hold so much can hold so much and no
more, though all the purple vats of Burgundy be filled with wine to
the brim, and the treaders stand knee-deep in the gathered grapes
of the stony vineyards of Spain. There is no error more common
than that of thinking that those who are the causes or occasions of
great tragedies share in the feelings suitable to the tragic mood:
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