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Today's Stichomancy for Emiliano Zapata

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Helen of Troy And Other Poems by Sara Teasdale:

Will you not bring me to your oratory Where prayers arose like little birds set free Still upward, upward without sound of flight? Shall I not find your turrets toward the north, Where you defied white winter armed for war; Your southern casements where the sun blows in Between the leaf-bent boughs the wind has lifted? Shall we not see the sunrise toward the east, Watch dawn by dawn the rose of day unfolding Its golden-hearted beauty sovereignly; And toward the west look quietly at evening?

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Man that Corrupted Hadleyburg by Mark Twain:

try and make it the for-or-m-e-r!" and in these special cases they added a grand and agonised and imposing "A-a-a-a-MEN!"

The list dwindled, dwindled, dwindled, poor old Richards keeping tally of the count, wincing when a name resembling his own was pronounced, and waiting in miserable suspense for the time to come when it would be his humiliating privilege to rise with Mary and finish his plea, which he was intending to word thus: ". . . for until now we have never done any wrong thing, but have gone our humble way unreproached. We are very poor, we are old, and, have no chick nor child to help us; we were sorely tempted, and we fell. It was my purpose when I got up before to make confession and beg that


The Man that Corrupted Hadleyburg
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Heritage of the Desert by Zane Grey:

cedars. "If they come," he whispered, "I'll kill Holderness and Snap and any man who tries to open that cabin door."

So he waited in tense watchfulness, his gaze alternating between the wavy line of the divide and the camp glade. Out in the valley it was still daylight, but under the cliff twilight had fallen. All day Hare had strained his ears to hear the talk of the rustlers, and it now occurred to him that if he climbed down through the split in the cliff to the bench where Dave and George had always hidden to watch the spring he would be just above the camp. This descent involved risk, but since it would enable him to see the cabin door when darkness set in, he decided to venture. The moment was propitious, for the rustlers were bustling


The Heritage of the Desert
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Secret Sharer by Joseph Conrad:

I was not wholly alone with my command; for there was that stranger in my cabin. Or rather, I was not completely and wholly with her. Part of me was absent. That mental feeling of being in two places at once affected me physically as if the mood of secrecy had penetrated my very soul. Before an hour had elapsed since the ship had begun to move, having occasion to ask the mate (he stood by my side) to take a compass bearing of the pagoda, I caught myself reaching up to his ear in whispers. I say I caught myself, but enough had escaped to startle the man. I can't describe it otherwise than by saying that he shied. A grave, preoccupied manner, as though he were in possession


The Secret Sharer