| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from On Horsemanship by Xenophon: chain in the upset or hollow part of our bits, called a 'Player,'
with which the horse playing with his tongue, and rolling it
about, keeps his mouth moist and fresh; and, as Xenophon hints, it
may serve likewise to fix his attention and prevent him from
writhing his mouth about, or as the French call it, 'faire ses
forces.'"
To explain what is meant by flexible and stiff as applied to a bit, we
will describe the matter. A flexible bit is one in which the axles
have their points of junction broad and smooth,[8] so as to bend
easily; and where the several parts fitting round the axles, being
large of aperture and not too closely packed, have greater
 On Horsemanship |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin: opposite tendencies leads to various restless movements in the eyes.
I have noticed two ladies who, whilst blushing, to which they are very liable,
have thus acquired, as it appears, the oddest trick of incessantly blinking
their eyelids with extraordinary rapidity. An intense blush is sometimes
accompanied by a slight effusion of tears;[21] and this, I presume,
is due to the lacrymal glands partaking of the increased supply of blood,
which we know rushes into the capillaries of the adjoining parts,
including the retina.
[20] Mr. Wedgwood says (Dict. of English Etymology, vol. iii. 1865, p.
155) that the word shame "may well originate in the idea of shade
or concealment, and may be illustrated by the Low German _scheme_,
 Expression of Emotion in Man and Animals |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Black Tulip by Alexandre Dumas: them return with or without the order for the withdrawal of
the dragoons, then we may judge which is greater, Mynheer
Bowelt's honesty or his courage."
"But," replied the officer, looking with astonishment at the
personage whom he addressed as Monseigneur, "but your
Highness surely does not suppose for one instant that the
deputies will order Tilly's horse to quit their post?"
"Why not?" the young man quietly retorted.
"Because doing so would simply be signing the death warrant
of Cornelius and John de Witt."
"We shall see," his Highness replied, with the most perfect
 The Black Tulip |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sophist by Plato: STRANGER: Shall we refuse to attribute being to motion and rest, or
anything to anything, and assume that they do not mingle, and are incapable
of participating in one another? Or shall we gather all into one class of
things communicable with one another? Or are some things communicable and
others not?--Which of these alternatives, Theaetetus, will they prefer?
THEAETETUS: I have nothing to answer on their behalf. Suppose that you
take all these hypotheses in turn, and see what are the consequences which
follow from each of them.
STRANGER: Very good, and first let us assume them to say that nothing is
capable of participating in anything else in any respect; in that case rest
and motion cannot participate in being at all.
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