| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]: even to crawl on his hands and knees, and he had rather to worm himself along
on his elbows in quite indescribable fashion. Still, Tattine and Mabel were
more than ready to have him try, and waited patiently, bending over with their
hands upon their knees, and gazing in through the weed-grown hole in
breathless, excited fashion.
"I believe I'll have to give it up," Rudolph called back; "the cries seem as
far off as ever and I'm all but scratched to pieces." "Oh, don't! don't!"
cried Tattine and Mabel, in one breath, and Mabel added, "We MUST know what
they are and where they are. I shall go in myself if you come out."
"Well, you wouldn't go more than three feet then, I can tell you," and Rudolph
was right about that. It was only because he hated to give the thing up, even
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Scarlet Letter by Nathaniel Hawthorne: Dimmesdale reached the spot where, now so long since, Hester
Prynne had lived through her first hours of public ignominy. The
same platform or scaffold, black and weather-stained with the
storm or sunshine of seven long years, and foot-worn, too, with
the tread of many culprits who had since ascended it, remained
standing beneath the balcony of the meeting-house. The minister
went up the steps.
It was an obscure night in early May. An unwearied pall of cloud
muffled the whole expanse of sky from zenith to horizon. If the
same multitude which had stood as eye-witnesses while Hester
 The Scarlet Letter |