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Today's Stichomancy for Enrico Fermi

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Crito by Plato:

and the laws and the government come and interrogate me: 'Tell us, Socrates,' they say; 'what are you about? are you not going by an act of yours to overturn us--the laws, and the whole state, as far as in you lies? Do you imagine that a state can subsist and not be overthrown, in which the decisions of law have no power, but are set aside and trampled upon by individuals?' What will be our answer, Crito, to these and the like words? Any one, and especially a rhetorician, will have a good deal to say on behalf of the law which requires a sentence to be carried out. He will argue that this law should not be set aside; and shall we reply, 'Yes; but the state has injured us and given an unjust sentence.' Suppose I say that?

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Alexandria and her Schools by Charles Kingsley:

parts of St. John's Gospel and Epistles, whatever view we may take of them, if they are to be called anything, are to be called metaphysic and philosophic. And one can no more doubt that before writing them he had studied Philo, and was expanding Philo's thought in the direction which seemed fit to him, than we can doubt it of the earlier Neoplatonists. The technical language is often identical; so are the primary ideas from which he starts, howsoever widely the conclusions may differ. If Plotinus considered himself an intellectual disciple of Plato, so did Origen and Clemens. And I must, as I said before, speak of both, or of neither. My only hope of escaping delicate ground lies in the curious fact, that rightly or wrongly, the form in which Christianity presented

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Anna Karenina by Leo Tolstoy:

door, do shut the door!" he cried. "You must have let in a dozen at least."

Sergey Ivanovitch could not endure flies, and in his own room he never opened the window except at night, and carefully kept the door shut.

"Not one, on my honor. But if I have, I'll catch them. You wouldn't believe what a pleasure it is! How have you spent the day?"

"Very well. But have you really been mowing the whole day? I expect you're as hungry as a wolf. Kouzma has got everything ready for you."


Anna Karenina
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Another Study of Woman by Honore de Balzac:

Mademoiselle des Touches to Emile Blondet, "would you class the female author? Is she a perfect lady, a woman /comme il faut/?"

"When she has no genius, she is a woman /comme il n'en faut pas/," Blondet replied, emphasizing the words with a stolen glance, which might make them seem praise frankly addressed to Camille Maupin. "This epigram is not mine, but Napoleon's," he added.

"You need not owe Napoleon any grudge on that score," said Canalis, with an emphatic tone and gesture. "It was one of his weaknesses to be jealous of literary genius--for he had his mean points. Who will ever explain, depict, or understand Napoleon? A man represented with his arms folded, and who did everything, who was the greatest force ever