| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Autobiography of Benjamin Franklin by Benjamin Franklin: had long been harass'd, they might have been pleas'd if I would
voluntarily have left them; but they did not care to displace me
on account merely of my zeal for the association, and they could
not well give another reason.
Indeed I had some cause to believe that the defense of the country
was not disagreeable to any of them, provided they were not requir'd
to assist in it. And I found that a much greater number of them
than I could have imagined, tho' against offensive war, were clearly
for the defensive. Many pamphlets pro and con were publish'd
on the subject, and some by good Quakers, in favour of defense,
which I believe convinc'd most of their younger people.
 The Autobiography of Benjamin Franklin |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar: these hideous Indians and devils do indulge in; such wild
curvetings and long walks! In the open squares, where whole
groups do congregate, it is wonderfully amusing. Then, too,
there is a ball in every available hall, a delirious ball, where
one may dance all day for ten cents; dance and grow mad for joy,
and never know who were your companions, and be yourself unknown.
And in the exhilaration of the day, one walks miles and miles,
and dances and skips, and the fatigue is never felt.
In Washington Square, away down where Royal Street empties its
stream of children great and small into the broad channel of
Elysian Fields Avenue, there was a perfect Indian pow-wow. With
 The Goodness of St. Rocque and Other Stories |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Little Britain by Washington Irving: the grasshopper actually lie, cheek by jole, in the yard of his
workshop.
"Others," as Mr. Skryme is accustomed to say, "may go star-
gazing, and look for conjunctions in the heavens, but here is a
conjunction on the earth, near at home, and under our own eyes,
which surpasses all the signs and calculations of astrologers."
Since these portentous weathercocks have thus laid their heads
together, wonderful events had already occurred. The good
old king, notwithstanding that he had lived eighty-two years,
had all at once given up the ghost; another king had mounted
the throne; a royal duke had died suddenly,--another, in
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Christ in Flanders by Honore de Balzac: felt the influence of the religious melancholy that takes possession
of nearly all of us at the close of the day, the hour of prayer, when
all nature is hushed save for the voices of the bells. The sea gleamed
pale and wan, but its hues changed, and the surface took all the
colors of steel. The sky was almost overspread with livid gray, but
down in the west there were long narrow bars like streaks of blood;
while lines of bright light in the eastern sky, sharp and clean as if
drawn by the tip of a brush, were separated by folds of cloud, like
the wrinkles on an old man's brow. The whole scene made a background
of ashen grays and half-tints, in strong contrast to the bale-fires of
the sunset. If written language might borrow of spoken language some
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