Today's Stichomancy for Eric Bana

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Herodias by Gustave Flaubert:

"Is that woman one of thy slaves?" he asked.

"What matters that to thee?" was the disdainful reply.

CHAPTER III

The great banqueting-hall was filled with guests. This apartment had three naves, like a basilica, which were separated by columns of sandalwood, whose capitals were of sculptured bonze. On each side of the apartment was a gallery for spectators, and a third, with a facade of gold filigree, was at one end, opposite an immense arch at the other.

The candelabra burning on the tables, which were spread the whole length of the banqueting-hall, glowed like clusters of flaming flowers

Herodias

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Edition of The Ambassadors by Henry James:

taken by their talk had promptly confirmed this difference; his larger confidence on the score of Mrs. Newsome did the rest; and the time seemed already far off when he had held out his small thirsty cup to the spout of her pail. Her pail was scarce touched now, and other fountains had flowed for him; she fell into her place as but one of his tributaries; and there was a strange sweetness--a melancholy mildness that touched him--in her acceptance of the altered order.

It marked for himself the flight of time, or at any rate what he was pleased to think of with irony and pity as the rush of experience; it having been but the day before yesterday that he sat at her feet

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Start in Life by Honore de Balzac:

twirled a cane with a chased gold knob, which was horribly battered. The blue trousers, the waistcoat of a material called "Scotch stuff," a sky-blue cravat and a pink-striped cotton shirt, expressed, in the midst of all this ruin, such a latent desire to SHOW-OFF that the contrast was not only a sight to see, but a lesson to be learned.

"And that is Georges!" said Oscar, in his own mind,--"a man I left in possession of thirty thousand francs a year!"

"Has Monsieur DE Pierrotin a place in the coupe?" asked Georges, ironically replying to Pierrotin's rebuff.

"No; my coupe is taken by a peer of France, the son-in-law of Monsieur Moreau, Monsieur le Baron de Canalis, his wife, and his mother-in-law.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Alexander's Bridge by Willa Cather:

They went deliberately, stopping to see what each gang was doing, as if they were on an ordinary round of inspection. When they reached the end of the river span, Alexander nodded to the superintendent, who quietly gave an order to the foreman. The men in the end gang picked up their tools and, glancing curiously at each other, started back across the bridge toward the river-bank. Alexander himself remained standing where they had been working, looking about him. It was hard

Alexander's Bridge