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Today's Stichomancy for Eric Bana

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Oedipus Trilogy by Sophocles:

OEDIPUS But I am the gods' abhorrence.

CREON Then they soon will grant thy plea.

OEDIPUS Lead me hence, then, I am willing.

CREON Come, but let thy children go.

OEDIPUS Rob me not of these my children!

CREON


Oedipus Trilogy
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Communist Manifesto by Karl Marx:

are to him so many bourgeois prejudices, behind which lurk in ambush just as many bourgeois interests.

All the preceding classes that got the upper hand, sought to fortify their already acquired status by subjecting society at large to their conditions of appropriation. The proletarians cannot become masters of the productive forces of society, except by abolishing their own previous mode of appropriation, and thereby also every other previous mode of appropriation. They have nothing of their own to secure and to fortify; their mission is to destroy all previous securities for, and insurances of, individual property.


The Communist Manifesto
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Crowd by Gustave le Bon:

affirm, to resort to repetitions, and never to attempt to prove anything by reasoning are methods of argument well known to speakers at public meetings.

Moreover, a crowd exacts a like exaggeration in the sentiments of its heroes. Their apparent qualities and virtues must always be amplified. It has been justly remarked that on the stage a crowd demands from the hero of the piece a degree of courage, morality, and virtue that is never to be found in real life.

Quite rightly importance has been laid on the special standpoint from which matters are viewed in the theatre. Such a standpoint exists no doubt, but its rules for the most part have nothing to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from War and the Future by H. G. Wells:

the precipice into exactly the position of a lady riding side- saddle. "You will find it more comfortable to sit down."

But anxious as I am abroad not to discredit my country by unseemly exhibitions I felt unequal to such gymnastics without a proper rehearsal at a lower level. I seated myself carefully at a yard (perhaps it was a couple of yards) from the edge, advanced on my trousers without dignity to the verge, and so with an effort thrust my legs over to dangle in the crystalline air.

"That," proceeded General Bompiani, pointing with a giddy flourish of his riding whip, "is Monte Tomba."