The first excerpt represents the past or something you must release, and is drawn from Gulliver's Travels by Jonathan Swift: instructing princes to know their true interest, by placing it on
the same foundation with that of their people; of choosing for
employments persons qualified to exercise them, with many other
wild, impossible chimeras, that never entered before into the
heart of man to conceive; and confirmed in me the old
observation, "that there is nothing so extravagant and
irrational, which some philosophers have not maintained for
truth."
But, however, I shall so far do justice to this part of the
Academy, as to acknowledge that all of them were not so
visionary. There was a most ingenious doctor, who seemed to be
Gulliver's Travels |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Ivanhoe by Walter Scott: The description given by the author of the Saxon
Chronicle of the cruelties exercised in the reign of
King Stephen by the great barons and lords of castles,
who were all Normans, affords a strong proof
of the excesses of which they were capable when
their passions were inflamed. ``They grievously
oppressed the poor people by building castles; and
when they were built, they filled them with wicked
men, or rather devils, who seized both men and
women who they imagined had any money, threw
them into prison, and put them to more cruel tortures
Ivanhoe |
The third excerpt represents the future or something you must embrace, and is drawn from Danny's Own Story by Don Marquis: but a mule is more careful of itself and never goes
butting in unless it feels sure they is a way out.
"Giddap," says the old man agin.
But jest then the shadders on both sides of the
road comes to life. They wakes up, and moves all
about us. It was done so sudden and quiet it was
half a minute before I seen it wasn't shadders but
about thirty men had gathered all about us on
every side. They had guns.
"Who are you? What d'ye want?" asts the old
man, startled, as three or four took care of the
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