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Today's Stichomancy for Erwin Schroedinger

The first excerpt represents the past or something you must release, and is drawn from Westward Ho! by Charles Kingsley:

in their night journeys, "Nobody," the negroes said, "ever slept on the Magdalena; the mosquitoes took too good care of that." Which fact Amyas and his crew verified afterwards as thoroughly as wretched men could do.

The sun had sunk; the night had all but fallen; the men were all on board; Amyas in command of one canoe, Cary of the other. The Indians were grouped on the bank, watching the party with their listless stare, and with them the young guide, who preferred remaining among the Indians, and was made supremely happy by the present of Spanish sword and an English axe; while, in the midst, the old hermit, with tears in his eyes, prayed God's blessing on

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Wheels of Chance by H. G. Wells:

behaviour," he said at last, "makes you conspicuous."

She turned upon him, her eyes and cheeks glowing, her hands clenched. "You unspeakable CAD," she said, and choked, stamped her little foot, and stood panting.

"Unspeakable cad! My dear girl! Possible I AM an unspeakable cad. Who wouldn't be--for you?"

"'Dear girl!' How DARE you speak to me like that? YOU--"

"I would do anything--"

"OH!"

There was a moment's pause. She looked squarely into his face, her eyes alight with anger and contempt, and perhaps he flushed a

The third excerpt represents the future or something you must embrace, and is drawn from Gambara by Honore de Balzac:

ought never to be lost throughout so vast a plan, often vanishes from Meyerbeer's work. Feeling counts for nothing, the heart has no part in it. Hence we never come upon those happy inventions, those artless scenes, which captivate all our sympathies and leave a blissful impression on the soul.

"Harmony reigns supreme, instead of being the foundation from which the melodic groups of the musical picture stand forth. These discordant combinations, far from moving the listener, arouse in him a feeling analogous to that which he would experience on seeing a rope- dancer hanging to a thread and swaying between life and death. Never does a soothing strain come in to mitigate the fatiguing suspense. It


Gambara