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Today's Stichomancy for Erwin Schroedinger

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

had reared a great Norman Abbey whose tower he could see from his window, placing around it in the churchyard grey stones with the names of his ancestors carved thereon, and with a moss somewhat like Old England's moss. For though Kuranes was a monarch in the land of dream, with all imagined pomps and marvels, splendours and beauties, ecstasies and delights, novelties and excitements at his command, he would gladly have resigned forever the whole of his power and luxury and freedom for one blessed day as a simple boy in that pure and quiet England, that ancient, beloved England which had moulded his being and of which he must always be immutably a part.


The Dream-Quest of Unknown Kadath
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Eugenie Grandet by Honore de Balzac:

law!"

"My poor friend," said the notary, "don't I know my own business?"

"Then it is true! I am robbed, betrayed, killed, destroyed by my own daughter!"

"It is true that your daughter is her mother's heir."

"Why do we have children? Ah! my wife, I love her! Luckily she's sound and healthy; she's a Bertelliere."

"She has not a month to live."

Grandet struck his forehead, went a few steps, came back, cast a dreadful look on Cruchot, and said,--

"What can be done?"


Eugenie Grandet
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Hidden Masterpiece by Honore de Balzac:

and thinking only of the hidden masterpiece.

Porbus smiled at the youth's enthusiasm, and bade him farewell with a kindly invitation to come and visit him.

*****

Nicolas Poussin returned slowly towards the Rue de la Harpe and passed, without observing that he did so, the modest hostelry where he was lodging. Returning presently upon his steps, he ran up the miserable stairway with anxious rapidity until he reached an upper chamber nestling between the joists of a roof "en colombage,"--the plain, slight covering of the houses of old Paris. Near the single and gloomy window of the room sat a young girl, who rose quickly as the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Essays & Lectures by Oscar Wilde:

and light of history without which it moves a blind thing,' Polybius spared no pains in the acquisition of historical materials or in the study of the sciences of politics and war, which he considered were so essential to the training of the scientific historian, and the labour he took is mirrored in the many ways in which he criticises other authorities.

There is something, as a rule, slightly contemptible about ancient criticism. The modern idea of the critic as the interpreter, the expounder of the beauty and excellence of the work he selects, seems quite unknown. Nothing can be more captious or unfair, for instance, than the method by which Aristotle criticised the ideal