| The first excerpt represents the past or something you must release, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart: be carrying, find he hasn't got them after all, decide to throw
suspicion on another man by changing berths and getting out, bag
and baggage, and then, by the merest fluke of chance, take with
him, in the valise he changed for his own, the very notes he was
after. It was a bit of luck for him."
"Then why," put in Hotchkiss doubtfully, "why did he collapse when
he heard of the wreck? And what about the telephone message the
station agent sent? You remember they tried to countermand it, and
with some excitement."
"We will ask him those questions when we get him," McKnight said.
We were on the unrailed front porch by that time, and Hotchkiss had
The Man in Lower Ten |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Amazing Interlude by Mary Roberts Rinehart: "Go on," Harvey said in cold tones she had never heard before. "Tell it
all, now you've begun it. God knows I didn't want to hear it. He took
you to the hotel at Dunkirk, the way those foreigners take their women.
And he established you in the house at the Front, I suppose, like a -"
Sara Lee suddenly stood up and drew off her ring.
"You needn't go on," she said quietly. "I had a decision to make
to-night, and I have made it. Ever since I came home I have been trying
to go back to where we were before I left. It isn't possible. You are
what you always were, Harvey. But I've changed. I can't go back."
She put the ring into his hand.
"It isn't that you don't love me. I think you do. But I've been
|
The third excerpt represents the future or something you must embrace, and is drawn from This Side of Paradise by F. Scott Fitzgerald: from the couch goes to the armchair.) I've felt all afternoon
that things were worse. I nearly went wild down at the
officecouldn't write a line. Tell me everything.
ROSALIND: There's nothing to tell, I say. I'm just nervous.
AMORY: Rosalind, you're playing with the idea of marrying Dawson
Ryder.
ROSALIND: (After a pause) He's been asking me to all day.
AMORY: Well, he's got his nerve!
ROSALIND: (After another pause) I like him.
AMORY: Don't say that. It hurts me.
ROSALIND: Don't be a silly idiot. You know you're the only man
This Side of Paradise |
