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Today's Stichomancy for Federico Fellini

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Facino Cane by Honore de Balzac:

moral and physical degradation out of which the lately revived sparks of greatness and nobility shone so much the more brightly. My ideas, no doubt, were passing through his mind, for all processes of thought- communications are far more swift, I think, in blind people, because their blindness compels them to concentrate their attention. I had not long to wait for proof that we were in sympathy in this way. Facino Cane left off playing, and came up to me. "Let us go out!" he said; his tones thrilled through me like an electric shock. I gave him my arm, and we went.

Outside in the street he said, "Will you take me back to Venice? Will you be my guide? Will you put faith in me? You shall be richer than

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Salammbo by Gustave Flaubert:

travels. But why did Narr' Havas not return? There was nothing but anxiety.

Hanno had at last concluded his preparations. One night when there was no moon he transported his elephants and soldiers on rafts across the Gulf of Carthage. Then they wheeled round the mountain of the Hot Springs so as to avoid Autaritus, and continued their march so slowly that instead of surprising the Barbarians in the morning, as the Suffet had calculated, they did not reach them until it was broad daylight on the third day.

Utica had on the east a plain which extended to the large lagoon of Carthage; behind it a valley ran at right angles between two low and


Salammbo
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Chance by Joseph Conrad:

at once for a sailor as well as a yachtsman.

Presently he had occasion to reprove that same waiter for the slovenly manner in which the dinner was served. He did it with considerable energy and then turned to us.

"If we at sea," he declared, "went about our work as people ashore high and low go about theirs we should never make a living. No one would employ us. And moreover no ship navigated and sailed in the happy-go-lucky manner people conduct their business on shore would ever arrive into port."

Since he had retired from the sea he had been astonished to discover that the educated people were not much better than the others. No


Chance
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Hunting of the Snark by Lewis Carroll:

The Bellman, who was almost morbidly sensitive about appearances, used to have the bowsprit unshipped once or twice a week to be revarnished, and it more than once happened, when the time came for replacing it, that no one on board could remember which end of the ship it belonged to. They knew it was not of the slightest use to appeal to the Bellman about it-- he would only refer to his Naval Code, and read out in pathetic tones Admiralty Instructions which none of them had ever been able to understand-- so it generally ended in its being fastened on, anyhow, across the rudder. The helmsman used to stand by with tears in his eyes; he knew it was all wrong, but alas! Rule 42 of the Code, "No one shall speak to the Man at the Helm," had been completed by the Bellman himself with the words "and the Man at the


The Hunting of the Snark