| The first excerpt represents the past or something you must release, and is drawn from Persuasion by Jane Austen: better things from their high ideas of their own situation in life,
and was reduced to form a wish which she had never foreseen;
a wish that they had more pride; for "our cousins Lady Dalrymple
and Miss Carteret;" "our cousins, the Dalrymples," sounded in her ears
all day long.
Sir Walter had once been in company with the late viscount,
but had never seen any of the rest of the family; and the difficulties
of the case arose from there having been a suspension of all intercourse
by letters of ceremony, ever since the death of that said late viscount,
when, in consequence of a dangerous illness of Sir Walter's
at the same time, there had been an unlucky omission at Kellynch.
 Persuasion |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs: wooden doors. Just ahead of him in the roof of the aqueduct
was a round, black hole about thirty inches in diameter.
His eyes still rested upon the opening when there shot downward
from it to the water below the naked body of a human being which
almost immediately rose to the surface again and floated off down
the stream. In the dim light Bradley saw that it was a dead
Wieroo from which the wings and head had been removed. A moment
later another headless body floated past, recalling what An-Tak
had told him of the skull-collecting customs of the Wieroo.
Bradley wondered how it happened that the first corpse he had
encountered in the stream had not been similarly mutilated.
 Out of Time's Abyss |
The third excerpt represents the future or something you must embrace, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis: shaking her head. "It 's got no more notion o' givin' up than me
nor Barney,--not a bit." Margret had her doubts,--and so would
you, if you had heard how it creaked under the load,--how they
piled in great straw panniers of apples: black apples with yellow
hearts, scarlet veined,--golden pippin apples, that held the
warmth and light longest,--russet apples with a hot blush on
their rough brown skins,--plums shining coldly in their delicate
purple bloom,--peaches with the crimson velvet of their cheeks
aglow with the prisoned heat of a hundred summer days.
I wish with all my heart somebody would paint me Lois and her
cart! Mr. Kitts, the artist in the city then, used to see it
 Margret Howth: A Story of To-day |