| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Four Arthurian Romances by Chretien DeTroyes: my heart in his keeping. He who robs me and takes what is mine
cannot love me, of that I am sure. But am I sure? Why then did
he weep? Why? It was not in vain, for there was cause enough.
I must not assume that I was the cause of it, for one is always
loath to leave people whom one loves and knows. So it is not
strange if he was sorry and grieved and if he wept when he left
some one whom he knew. But he who gave him this advice to go and
dwell in Britain could not have smitten me more effectively. He
is cut to the quick who loses his heart. He who deserves it,
should be treated ill; but I have never deserved such treatment.
Alas, unhappy one, why has Cliges killed me when I am innocent?
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On Horsemanship by Xenophon: diestrammenous}, "broad and not turned outwards."
[29] Or, "he will be sure to spread well behind," etc.
[30] {ton upobasin}, tech. of the crouching posture assumed by the
horse for mounting or "in doing the demi-passade" (so Morgan, op.
cit. p. 126).
The human subject would seem to point to this conclusion. When a man
wants to lift anything from off the ground he essays to do so by
bringing the legs apart and not by bringing them together.
A horse ought not to have large testicles, though that is not a point
to be determined in the colt.
And now, as regards the lower parts, the hocks,[31] or shanks and
 On Horsemanship |