| The first excerpt represents the past or something you must release, and is drawn from The Adventures of Sherlock Holmes by Arthur Conan Doyle: and thieves! I have caught you, have I? You are in my power. I'll
serve you!" He turned and clattered down the stairs as hard as he
could go.
"He's gone for the dog!" cried Miss Hunter.
"I have my revolver," said I.
"Better close the front door," cried Holmes, and we all rushed
down the stairs together. We had hardly reached the hall when we
heard the baying of a hound, and then a scream of agony, with a
horrible worrying sound which it was dreadful to listen to. An
elderly man with a red face and shaking limbs came staggering out
at a side door.
The Adventures of Sherlock Holmes |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Flower Fables by Louisa May Alcott: "Poor thing, thou art welcome here;
Close at my side, in the soft green moss,
Thou wilt find a quiet bed,
Where thou canst softly sleep till Spring,
With my leaves above thee spread.
I pity and love thee, friendless worm,
Though thou art not graceful or fair;
For many a dark, unlovely form,
Hath a kind heart dwelling there;
No more o'er the green and pleasant earth,
Lonely and poor, shalt thou roam,
Flower Fables |
The third excerpt represents the future or something you must embrace, and is drawn from Crito by Plato: popular good-will. Plato, writing probably in the next generation,
undertakes the defence of his friend and master in this particular, not to
the Athenians of his day, but to posterity and the world at large.
Whether such an incident ever really occurred as the visit of Crito and the
proposal of escape is uncertain: Plato could easily have invented far more
than that (Phaedr.); and in the selection of Crito, the aged friend, as the
fittest person to make the proposal to Socrates, we seem to recognize the
hand of the artist. Whether any one who has been subjected by the laws of
his country to an unjust judgment is right in attempting to escape, is a
thesis about which casuists might disagree. Shelley (Prose Works) is of
opinion that Socrates 'did well to die,' but not for the 'sophistical'
|
