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Today's Stichomancy for Friedrich Nietzsche

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

quite the same world), at least with much of Ibsen's power of penetrating its illusions and idolatries, and with all Swift's horror of its cruelty and uncleanliness.

Now it happens to some men with these powers that they are forced to impose their fullest exercise on the world because they cannot produce popular work. Take Wagner and Ibsen for instance! Their earlier works are no doubt much cheaper than their later ones; still, they were not popular when they were written. The alternative of doing popular work was never really open to them: had they stooped they would have picked up less than they snatched from above the people's heads. But Handel and Shakespear were not held to their best in this

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ancient Regime by Charles Kingsley:

and to reason for the power of discerning that same good--if man cannot find truth by that method, by what method shall he find it?

And thus it happened that, though these philosophers and encyclopaedists were not men of science, they were at least the heralds and the coadjutors of science.

We may call them, and justly, dreamers, theorists, fanatics. But we must recollect that one thing they meant to do, and did. They recalled men to facts; they bid them ask of everything they saw-- What are the facts of the case? Till we know the facts, argument is worse than useless.

Now the habit of asking for the facts of the case must deliver men

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Stories From the Old Attic by Robert Harris:

answered that he wanted to get the whole work clearly in his head before he put it down on paper.

"To rush precipitously forward without knowing precisely where one wants to go," he would tell them, "will not of necessity produce a happy outcome because it might lead to a complicative erroneity or put one on a train to a destination he would not ultimately wish to visit. After all, the most beautiful part of a given day is known only after dark, and the best path up the mountain--which I take to be the path of true wisdom--is seen only from the top."

Year after year, therefore, arrived with hope and left disappointed; new generations were born and millions of hopeful readers mingled

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Othello by William Shakespeare:

If he can carry't thus? Iago. Call vp her Father: Rowse him, make after him, poyson his delight, Proclaime him in the Streets. Incense her kinsmen, And though he in a fertile Clymate dwell, Plague him with Flies: though that his Ioy be Ioy, Yet throw such chances of vexation on't, As it may loose some colour

Rodo. Heere is her Fathers house, Ile call aloud

Iago. Doe, with like timerous accent, and dire yell, As when (by Night and Negligence) the Fire


Othello