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Today's Stichomancy for Friedrich Nietzsche

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Professor by Charlotte Bronte:

stretch my soul on the rack of jealousy; for, deny it as you will, I am certain you have cast encouraging glances on that school-boy, Crimsworth; he has presumed to fall in love, which he dared not have done unless you had given him room to hope."

"What do you say, Francois? Do you say Crimsworth is in love with me?"

"Over head and ears."

"Has he told you so?"

"No--but I see it in his face: he blushes whenever your name is mentioned." A little laugh of exulting coquetry announced Mdlle. Reuter's gratification at this piece of intelligence (which was a


The Professor
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Whirligigs by O. Henry:

what an immense amount of trouble is made by that com- bination -- I mean the stage, diamonds and light-headed women who aren't satisfied with good homes. I tell you, Sir, a man these days and nights wants to know what his women folks are up to."

The policeman smiled a good night, and returned to the side of his charge, who had been intently watching Lorison's face during the conversation, no doubt for some indication of his intention to render succour. Now, at the failure of the sign, and at the movement made to continue the ignominious progress, she abandoned hope,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from On Revenues by Xenophon:

proportionally increased. So much so, that of all operations with which I am acquainted, this is the only one in which no sort of jealousy is felt at a further development of the industry.[4] I may go a step farther; every proprietor of a farm will be able to tell you exactly how many yoke of oxen are sufficient for the estate, and how many farm hands. To send into the field more than the exact number requisite every farmer would consider a dead loss.[5] But in silver mining [operations] the universal complaint is the want of hands. Indeed there is no analogy between this and other industries. With an increase in the number of bronze-workers articles of bronze may become so cheap that the bronze-worker has to retire from the field. And so

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

you would give it to one of the brothers.'

I had dined alone, because I arrived late; but at supper I found two other guests. One was a country parish priest, who had walked over that morning from the seat of his cure near Mende to enjoy four days of solitude and prayer. He was a grenadier in person, with the hale colour and circular wrinkles of a peasant; and as he complained much of how he had been impeded by his skirts upon the march, I have a vivid fancy portrait of him, striding along, upright, big-boned, with kilted cassock, through the bleak hills of Gevaudan. The other was a short, grizzling, thick-set man, from forty-five to fifty, dressed in tweed with a knitted spencer, and