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Today's Stichomancy for Fritz Lang

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Madame Firmiani by Honore de Balzac:

Montenotte." So saying, the Practical man, rotund and fat and usually dressed in black, will project his lower lip and wrap it over the upper, nodding his head as if to add: "Solid people, those; nothing to be said against them." Ask no further; Practical men settle everybody's status by figures, incomes, or solid acres,--a phrase of their lexicon.

Turn to the right, and put the same question to that other man, who belongs to the species Lounger. "Madame Firmiani?" he says; "yes, yes, I know her well; I go to her parties; receives Wednesdays; highly creditable house."--Madame Firmiani is metamorphosed into a house! but the house is not a pile of stones architecturally superposed, of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sesame and Lilies by John Ruskin:

Do with so good a wife?"

In Romeo and Juliet, the wise and brave stratagem of the wife is brought to ruinous issue by the reckless impatience of her husband. In Winter's Tale, and in Cymbeline, the happiness and existence of two princely households, lost through long years, and imperilled to the death by the folly and obstinacy of the husbands, are redeemed at last by the queenly patience and wisdom of the wives. In Measure for Measure, the foul injustice of the judge, and the foul cowardice of the brother, are opposed to the victorious truth and adamantine purity of a woman. In Coriolanus, the mother's counsel, acted upon in time, would have saved her son from all evil; his momentary

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Crowd by Gustave le Bon:

put in operation influences capable of working on an altered public.

I need not add that the tendency to exaggeration in crowds is only present in the case of sentiments and not at all in the matter of intelligence. I have already shown that, by the mere fact that an individual forms part of a crowd, his intellectual standard is immediately and considerably lowered. A learned magistrate, M. Tarde, has also verified this fact in his researches on the crimes of crowds. It is only, then, with respect to sentiment that crowds can rise to a very high or, on the contrary, descend to a very low level.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Fairy Tales by Hans Christian Andersen:

on all sides, but could see nothing at all but the empty frames.

"Does not the stuff appear as beautiful to you, as it did to my lord the minister?" asked the impostors of the Emperor's second ambassador; at the same time making the same gestures as before, and talking of the design and colors which were not there.

"I certainly am not stupid!" thought the messenger. "It must be, that I am not fit for my good, profitable office! That is very odd; however, no one shall know anything about it." And accordingly he praised the stuff he could not see, and declared that he was delighted with both colors and patterns. "Indeed, please your Imperial Majesty," said he to his sovereign when he returned, "the cloth which the weavers are preparing is extraordinarily


Fairy Tales