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Today's Stichomancy for Galileo Galilei

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Art of Writing by Robert Louis Stevenson:

generous and pious characters. Shakespeare has served me best. Few living friends have had upon me an influence so strong for good as Hamlet or Rosalind. The last character, already well beloved in the reading, I had the good fortune to see, I must think, in an impressionable hour, played by Mrs. Scott Siddons. Nothing has ever more moved, more delighted, more refreshed me; nor has the influence quite passed away. Kent's brief speech over the dying Lear had a great effect upon my mind, and was the burthen of my reflections for long, so profoundly, so touchingly generous did it appear in sense, so overpowering in expression.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Fanny Herself by Edna Ferber:

subjective, you know."

"I don't see what difference it makes, anyway."

"Oh, yes, you do." He stopped. "Or perhaps you don't, after all. I forget how young you are. Well, now, Miss Brandeis, you and your woman's mind, and your masculine business experience and sense are to be turned loose on our infants' wear department. The buyer, Mr. Slosson, is going to resent you. Naturally. I don't know whether we'll get results from you in a month, or six months or a year. Or ever. But something tells me we're going to get them. You've lived in a small town most of your life. And we want


Fanny Herself
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from War and Peace by Leo Tolstoy:

Mamma, what does it matter what we take away? Only look what is going on in the yard... Mamma!... It's impossible!"

The count stood by the window and listened without turning round. Suddenly he sniffed and put his face closer to the window.

The countess glanced at her daughter, saw her face full of shame for her mother, saw her agitation, and understood why her husband did not turn to look at her now, and she glanced round quite disconcerted.

"Oh, do as you like! Am I hindering anyone?" she said, not surrendering at once.

"Mamma, darling, forgive me!"

But the countess pushed her daughter away and went up to her


War and Peace
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The War in the Air by H. G. Wells:

either charged into or over (it was difficult to say from below) the shattered line of the Germans, who seemed to open out to give way to them. Some sort of manoeuvring began, but Bert could not grasp its import. The left of the battle became a confused dance of airships. For some minutes up there the two crossing lines of ships looked so close it seemed like a hand-to-hand scuffle in the sky. Then they broke up into groups and duels. The descent of German air-ships towards the lower sky increased. One of them flared down and vanished far away in the north; two dropped with something twisted and crippled in their movements; then a group of antagonists came down from the zenith in an eddying conflict,