Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Galileo Galilei

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Frankenstein by Mary Shelley:

leave my friends unconscious of the existence of their enemy and unprotected from his attacks, exasperated as he might be by my departure. But he had promised to follow me wherever I might go, and would he not accompany me to England? This imagination was dreadful in itself, but soothing inasmuch as it supposed the safety of my friends. I was agonized with the idea of the possibility that the reverse of this might happen. But through the whole period during which I was the slave of my creature I allowed myself to be governed by the impulses of the moment; and my present sensations strongly intimated that the fiend would follow me and exempt my family from the danger of his machinations.


Frankenstein
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Love and Friendship by Jane Austen:

to be--of the middle size. She received me with equal surprise though not with equal Cordiality, as Philippa. There was a disagreable coldness and Forbidding Reserve in her reception of me which was equally distressing and Unexpected. None of that interesting Sensibility or amiable simpathy in her manners and Address to me when we first met which should have distinguished our introduction to each other. Her Language was neither warm, nor affectionate, her expressions of regard were neither animated nor cordial; her arms were not opened to receive me to her Heart, tho' my own were extended to press her to mine.

A short Conversation between Augusta and her Brother, which I


Love and Friendship
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ursula by Honore de Balzac:

and I did not see any difference between him and--all of you--except perhaps that I loved you, and never thought of loving any one else. Monsieur Savinien came by the mail-post the night before his mother's fete-day; but we did not know it. At seven the next morning, after I had said my prayers, I opened the window to air my room and I saw the windows in Monsieur Savinien's room open; and Monsieur Savinien was there, in a dressing gown, arranging his beard; in all his movements there was such grace--I mean, he seemed to me so charming. He combed his black moustache and the little tuft on his chin, and I saw his white throat--so round!--must I tell you all? I noticed that his throat and face and that beautiful black hair were all so different

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Parmenides by Plato:

Cratylus, etc.). The criticism on his own doctrine of Ideas has also been considered, not as a real criticism, but as an exuberance of the metaphysical imagination which enabled Plato to go beyond himself. To the latter part of the dialogue we may certainly apply the words in which he himself describes the earlier philosophers in the Sophist: 'They went on their way rather regardless of whether we understood them or not.'

The Parmenides in point of style is one of the best of the Platonic writings; the first portion of the dialogue is in no way defective in ease and grace and dramatic interest; nor in the second part, where there was no room for such qualities, is there any want of clearness or precision. The latter half is an exquisite mosaic, of which the small pieces are with the