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Today's Stichomancy for George Armstrong Custer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Frankenstein by Mary Shelley:

so noble a creature destroyed by misery without feeling the most poignant grief? He is so gentle, yet so wise; his mind is so cultivated, and when he speaks, although his words are culled with the choicest art, yet they How with rapidity and unparalleled eloquence. He is now much recovered from his illness and is continually on the deck, apparently watching for the sledge that preceded his own. Yet, although unhappy, he is not so utterly occupied by his own misery but that he interests himself deeply in the projects of others. He has frequently conversed with me on mine, which I have communicated to him without disguise. He entered attentively into all my arguments in favour of my eventual success and into every minute detail of the measures I had taken to


Frankenstein
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Legend of Montrose by Walter Scott:

world as in the Valley of the Shadow of Death, not knowing against whom we may chance to encounter. In truth, it is no matter of marvel, if we sometimes jostle those, to whom, if known, we would yield all respect. Surely, sir, I would rather have taken you for a profane malignant than for such a devout person as you prove, who reverences the great Master even in the meanest of his servants."

"It is always my custom to do so, learned sir," answered Dalgetty; "for in the service of the immortal Gustavus--but I detain you from your meditations,"--his desire to speak of the King of Sweden being for once overpowered by the necessity of his

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Myths and Myth-Makers by John Fiske:

snare. Just as it thrust its head out through the opening made in the sky-ground, it received a flash of light which put its eyes out, and that is why the mole is blind. The Sun got away, but has ever since travelled more deliberately.[148]

[148] Tylor, op. cit. pp. 338-343.

These sun-myths, many more of which are to be found collected in Mr. Tylor's excellent treatise on "The Early History of Mankind," well illustrate both the similarity and the diversity of the results obtained by the primitive mind, in different times and countries, when engaged upon similar problems. No one would think of referring these stories to a


Myths and Myth-Makers
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Great God Pan by Arthur Machen:

"Who is this woman?" he said at last. His voice was dry and hoarse.

"That is the woman who Herbert married."

Clarke looked again at the sketch; it was not Mary after all. There certainly was Mary's face, but there was something else, something he had not seen on Mary's features when the white-clad girl entered the laboratory with the doctor, nor at her terrible awakening, nor when she lay grinning on the bed. Whatever it was, the glance that came from those eyes, the smile on the full lips, or the expression of the whole face, Clarke shuddered before it at his inmost soul, and thought,


The Great God Pan