| The first excerpt represents the past or something you must release, and is drawn from Criminal Sociology by Enrico Ferri: I. MURDERERS (moral insensibility and instinctive
cruelty) who commit--
Murder for greed, or other selfish
gratification Criminal Lunatic Asylums: or
Murder unprovoked by the victim the death penalty.
Murder with attendant cruelty
II. VIOLENT OR IMPULSIVE CHARACTERS (deficiency
of the sense of pity, with prejudices on the
subject of honour, on the duty of revenge, &c.).
Adults who commit--
Violent assault suddenly provoked Removal of the offender from the
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Tapestried Chamber by Walter Scott: solitude to which the better judgment of those who preceded me
had consigned it; and never shall any one, so long as I can
prevent it, be exposed to a repetition of the supernatural
horrors which could shake such courage as yours."
Thus the friends, who had met with such glee, parted in a very
different mood--Lord Woodville to command the Tapestried Chamber
to be unmantled, and the door built up; and General Browne to
seek in some less beautiful country, and with some less dignified
friend, forgetfulness of the painful night which he had passed in
Woodville Castle.
END OF THE TAPESTRIED CHAMBER.
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The third excerpt represents the future or something you must embrace, and is drawn from Riders of the Purple Sage by Zane Grey: face and hands.
"I must see your wounds now," he said, gently.
She made no reply, but watched him steadily as he opened her
blouse and untied the bandage. His strong fingers trembled a
little as he removed it. If the wounds had reopened! A chill
struck him as he saw the angry red bullet-mark, and a tiny stream
of blood winding from it down her white breast. Very carefully he
lifted her to see that the wound in her back had closed
perfectly. Then he washed the blood from her breast, bathed the
wound, and left it unbandaged, open to the air.
Her eyes thanked him.
 Riders of the Purple Sage |