| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Maria, or the Wrongs of Woman by Mary Wollstonecraft: generous emotions, which are the foundation of every true principle
of virtue; but they are frequently, I fear, so feeble, that, like
the inflammable quality which more or less lurks in all bodies,
they often lie for ever dormant; the circumstances never occurring,
necessary to call them into action.
"I discovered however by chance, that, in consequence of some
losses in trade, the natural effect of his gambling desire to start
suddenly into riches, the five thousand pounds given me by my uncle,
had been paid very opportunely. This discovery, strange as you
may think the assertion, gave me pleasure; my husband's embarrassments
endeared him to me. I was glad to find an excuse for his conduct
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Modeste Mignon by Honore de Balzac: all sentiments, a very dainty of the heart. She drank deep draughts
from the chalice of the unknown, the vague, the visionary. She admired
the blue plumage of the bird that sings afar in the paradise of young
girls, which no hand can touch, no gun can cover, as it flits across
the sight; she loved those magic colors, like sparkling jewels
dazzling to the eye, which youth can see, and never sees again when
Reality, the hideous hag, appears with witnesses accompanied by the
mayor. To live the very poetry of love and not to see the lover--ah,
what sweet intoxication! what visionary rapture! a chimera with
flowing man and outspread wings!
The following is the puerile and even silly event which decided the
 Modeste Mignon |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Underground City by Jules Verne: could present a more curious aspect.
To begin with, the visitor was transported without danger
or fatigue to a level with the workings, at fifteen
hundred feet below the surface of the ground. Seven miles
to the southwest of Callander opened a slanting tunnel,
adorned with a castellated entrance, turrets and battlements.
This lofty tunnel gently sloped straight to the stupendous crypt,
hollowed out so strangely in the bowels of the earth.
A double line of railway, the wagons being moved by hydraulic power,
plied from hour to hour to and from the village thus buried in the subsoil
of the county, and which bore the rather ambitious title of Coal Town.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chouans by Honore de Balzac: not even drink a glass of water in the house of a woman who has twice
tried to kill me, who is now, perhaps, plotting mischief against us,"
and she showed the marquis the floating corner of Madame du Gua's
drapery. Then she dried her eyes and put her lips to the ear of the
young man, who quivered as he felt the caress of her warm breath. "See
that everything is prepared for my departure," she said; "you shall
take me yourself to Fougeres and there only will I tell you if I love
you. For the second time I trust you. Will you trust me a second
time?"
"Ah, Marie, you have brought me to a point where I know not what I do.
I am intoxicated by your words, your looks, by you--by you, and I am
 The Chouans |