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Today's Stichomancy for George Orwell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Dunwich Horror by H. P. Lovecraft:

warnings of the keenest intensity to all librarians having charge of the dreaded volume. Wilbur had been shockingly nervous at Cambridge; anxious for the book, yet almost equally anxious to get home again, as if he feared the results of being away long. Early in August the half-expected outcome developed, and in the small hours of the third Dr Armitage was awakened suddenly by the wild, fierce cries of the savage watchdog on the college campus. Deep and terrible, the snarling, half-mad growls and barks continued; always in mounting volume, but with hideously significant pauses. Then there rang out a scream from a wholly different throat - such a scream as


The Dunwich Horror
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Altar of the Dead by Henry James:

other reference by serious people to a mystery of their faith; but when something had happened to warm, as it were, the air for it, they came as near as they could come to calling their Dead by name. They felt it was coming very near to utter their thought at all. The word "they" expressed enough; it limited the mention, it had a dignity of its own, and if, in their talk, you had heard our friends use it, you might have taken them for a pair of pagans of old alluding decently to the domesticated gods. They never knew - at least Stransom never knew - how they had learned to be sure about each other. If it had been with each a question of what the other was there for, the certitude had come in some fine way of its

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Frankenstein by Mary Shelley:

whose effusions entranced my soul and lifted it to heaven. I also became a poet and for one year lived in a paradise of my own creation; I imagined that I also might obtain a niche in the temple where the names of Homer and Shakespeare are consecrated. You are well acquainted with my failure and how heavily I bore the disappointment. But just at that time I inherited the fortune of my cousin, and my thoughts were turned into the channel of their earlier bent.

Six years have passed since I resolved on my present undertaking. I can, even now, remember the hour from which I dedicated myself to this great enterprise. I commenced by inuring my body to hardship. I accompanied the whale-fishers on several expeditions to the North Sea;


Frankenstein
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Glinda of Oz by L. Frank Baum:

no mark upon its surface. The ceremony was ended and Glinda returned the skeropythrope to the Wizard, who put it away in his black bag.

"That ought to do the business all right," he said confidently

"Let us make a trial and see," she replied.

So they both entered the boat and seated themselves.

Speaking in a tone of command the Sorceress said to the boat: "Carry us across the lake, to the farther shore."

At once the boat backed off the sandy beach, turned


Glinda of Oz