| The first excerpt represents the past or something you must release, and is drawn from The Dunwich Horror by H. P. Lovecraft: that there was no other way to annul the deeper and more malign
meddling which others had done before him.
IX.
Friday morning
Armitage, Rice, and Morgan set out by motor for Dunwich, arriving
at the village about one in the afternoon. The day was pleasant,
but even in the brightest sunlight a kind of quiet dread and portent
seemed to hover about the strangely domed hills and the deep,
shadowy ravines of the stricken region. Now and then on some mountain
top a gaunt circle of stones could be glimpsed against the sky.
From the air of hushed fright at Osborn's store they knew something
 The Dunwich Horror |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Secret Agent by Joseph Conrad: temperamentally no respecter of persons. His scorn was equally
distributed over the whole field of his operations. But as a
member of a revolutionary proletariat - which he undoubtedly was -
he nourished a rather inimical sentiment against social
distinction.
"Nothing on earth can stop me now," he added, and paused, looking
fixedly at his wife, who was looking fixedly at a blank wall.
The silence in the kitchen was prolonged, and Mr Verloc felt
disappointed. He had expected his wife to say something. But Mrs
Verloc's lips, composed in their usual form, preserved a statuesque
immobility like the rest of her face. And Mr Verloc was
 The Secret Agent |
The third excerpt represents the future or something you must embrace, and is drawn from Romeo and Juliet by William Shakespeare: Tib. Romeo, the loue I beare thee, can affoord
No better terme then this: Thou art a Villaine
Rom. Tibalt, the reason that I haue to loue thee,
Doth much excuse the appertaining rage
To such a greeting: Villaine am I none;
Therefore farewell, I see thou know'st me not
Tib. Boy, this shall not excuse the iniuries
That thou hast done me, therefore turne and draw
Rom. I do protest I neuer iniur'd thee,
But lou'd thee better then thou can'st deuise:
Till thou shalt know the reason of my loue,
 Romeo and Juliet |