| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pierre Grassou by Honore de Balzac: uneasy at his co-operation in her daughter's portrait.
"Here, follow these indications," said Bridau, returning the palette,
and taking the note. "I won't thank you. I can go back now to
d'Arthez' chateau, where I am doing a dining-room, and Leon de Lora
the tops of the doors--masterpieces! Come and see us."
And off he went without taking leave, having had enough of looking at
Virginie.
"Who is that man?" asked Madame Vervelle.
"A great artist," answered Grassou.
There was silence for a moment.
"Are you quite sure," said Virginie, "that he has done no harm to my
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Master of Ballantrae by Robert Louis Stevenson: lie quiet and continue the heart-breaking business of our journey:
sure, I think these were questions to have puzzled the brains of
Aristotle himself. Ballantrae turned to me with a face all
wrinkled up and his teeth showing in his mouth, like what I have
read of people starving; he said no word, but his whole appearance
was a kind of dreadful question.
"They may be of the English side," I whispered; "and think! the
best we could then hope, is to begin this over again."
"I know - I know," he said. "Yet it must come to a plunge at
last." And he suddenly plucked out his coin, shook it in his
closed hands, looked at it, and then lay down with his face in the
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