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Today's Stichomancy for George W. Bush

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Economist by Xenophon:

Crit. Yes, I think so.

Soc. And as, in the case of the arts just named, we can state the proper work or function of each, can we (similarly) state the proper work and function of economy?

Crit. It must, I should think, be the business of the good economist[5] at any rate to manage his own house or estate well.

[5] Or, "manager of a house or estate."

Soc. And supposing another man's house to be entrusted to him, he would be able, if he chose, to manage it as skilfully as his own, would he not? since a man who is skilled in carpentry can work as well for another as for himself: and this ought to be equally true of the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Anabasis by Xenophon:

Rev. B. Jowett, M.A. Master of Balliol College Regius Professor of Greek in the University of Oxford

Xenophon the Athenian was born 431 B.C. He was a pupil of Socrates. He marched with the Spartans, and was exiled from Athens. Sparta gave him land and property in Scillus, where he lived for many years before having to move once more, to settle in Corinth. He died in 354 B.C.

The Anabasis is his story of the march to Persia to aid Cyrus, who enlisted Greek help to try and


Anabasis
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from On Revenues by Xenophon:

The Symposium 1 The Economist 1 On Horsemanship 1 The Sportsman 1 The Cavalry General 1 The Apology 1 On Revenues 1 The Hiero 1 The Agesilaus 1 The Polity of the Athenians and the Lacedaemonians 2

Text in brackets "{}" is my transliteration of Greek text into

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Camille by Alexandre Dumas:

Marguerite Gautier.

The young man whom I was with recognised her immediately, for he said to me, mentioning her name: "Look at that pretty girl."

At that moment Marguerite turned her opera-glass in our direction and, seeing my friend, smiled and beckoned to him to come to her.

"I will go and say 'How do you do?' to her," he said, "and will be back in a moment."

"I could not help saying "Happy man!"

"Why?"

"To go and see that woman."

"Are you in love with her?"


Camille