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Today's Stichomancy for George Washington

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

and sing his tuneless Tipperaree. Never again would he gaze with boyish adoring eyes at Sara Lee as she moved back and forth in the little house.

Henri stared up at the sky. The moon looked down, cold. and cruelly bright, on the vanishing squadron of death, on the destroyed town and on the boy's white face. Somewhere, Henri felt, vanishing like the German taubes, but to peace instead of war, was moving Rene's brave and smiling spirit - a boyish angel, eager and dauntless, and still looking up.

Henri took off his cap and crossed himself.

Another sentry took Rene's place the next day, but the little house had lost something it could not regain. And a greater loss was to come.

Jean brought out the mail that day. For Sara Lee, moving about silent

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Persuasion by Jane Austen:

I had known you by character, however, long before."

"Well, and I had heard of you as a very pretty girl, and what were we to wait for besides? I do not like having such things so long in hand. I wish Frederick would spread a little more canvass, and bring us home one of these young ladies to Kellynch. Then there would always be company for them. And very nice young ladies they both are; I hardly know one from the other."

"Very good humoured, unaffected girls, indeed," said Mrs Croft, in a tone of calmer praise, such as made Anne suspect that her keener powers might not consider either of them as quite worthy of her brother; "and a very respectable family. One could not be


Persuasion
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Tramp Abroad by Mark Twain:

I do not say, "I am going here, or I am going there"--I say nothing at all, I only act. For instance, next week you may find me the guest of a grandee of Spain, or you may find me off for Venice, or flitting toward Dresden. I shall probably go to Egypt presently; friends will say to friends, "He is at the Nile cataracts"--and at that very moment they will be surprised to learn that I'm away off yonder in India somewhere. I am a constant surprise to people. They are always saying, "Yes, he was in Jerusalem when we heard of him last, but goodness knows where he is now."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from On Revenues by Xenophon:

cannot fail to exercise an attractive force on all. From the mariner and the merchant upwards, all seek her, flocking they come; the wealthy dealers in corn and wine[4] and oil, the owner of many cattle. And not these only, but the man who depends upon his wits, whose skill it is to do business and make gain out of money[5] and its employment. And here another crowd, artificers of all sorts, artists and artisans, professors of wisdom,[6] philosophers, and poets, with those who exhibit and popularise their works.[7] And next a new train of pleasure-seekers, eager to feast on everything sacred or secular,[8] which may captivate and charm eye and ear. Or once again, where are all those who seek to effect a rapid sale or purchase of a thousand