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Today's Stichomancy for Groucho Marx

The first excerpt represents the past or something you must release, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

158. Not only our reason, but also our conscience, truckles to our strongest impulse--the tyrant in us.

159. One MUST repay good and ill; but why just to the person who did us good or ill?

160. One no longer loves one's knowledge sufficiently after one has communicated it.

161. Poets act shamelessly towards their experiences: they exploit them.

162. "Our fellow-creature is not our neighbour, but our neighbour's neighbour":--so thinks every nation.

163. Love brings to light the noble and hidden qualities of a


Beyond Good and Evil
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

She ran off while Georges stayed where he was with the skirts of his coat brushing the floor. He blushed, seeing Daguenet looking at him. Notwithstanding which, they had conceived a tender regard the one for the other. They rearranged the bows of their cravats in front of the big dressing glass and gave each other a mutual dose of the clothesbrush, for they were all white from their close contact with Nana.

"One would think it was sugar," murmured Georges, giggling like a greedy little child.

A footman hired for the evening was ushering the guests into the small drawing room, a narrow slip of a place in which only four

The third excerpt represents the future or something you must embrace, and is drawn from The Lost Princess of Oz by L. Frank Baum:

in a tussle with the Woozy last night, for the creature scraped 'em both off my face with his square paws. So I put the eyes in my pocket, and this morning Button-Bright led me to Aunt Em, who sewed 'em on again. So I've seen nothing at all today, except during the last five minutes. So of course I haven't seen Ozma."

"Very well, Scraps," said Dorothy, looking curiously at the eyes, which were merely two round, black buttons sewed upon the girl's face.

There were other things about Scraps that would have seemed curious to one seeing her for the first time. She was commonly called "the Patchwork Girl" because her body and limbs were made from a gay-colored patchwork quilt which had been cut into shape and stuffed


The Lost Princess of Oz