| The first excerpt represents the past or something you must release, and is drawn from The Circular Staircase by Mary Roberts Rinehart: rest of the broken crockery piled neatly within, and a handful of
small silver, spoon, forks, and the like, on top! I could only
stand and stare. Then Rosie's story was true. But where had
Rosie carried her basket? And why had the thief, if he were a
thief, picked up the broken china out of the road and left it,
with his booty?
It was with my nearest approach to a nervous collapse that I
heard the familiar throbbing of an automobile engine. As it came
closer I recognized the outline of the Dragon Fly, and knew
that Halsey had come back.
Strange enough it must have seemed to Halsey, too, to come across
 The Circular Staircase |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from From London to Land's End by Daniel Defoe: of gold in specie, either in MOIDORES (which is the Portugal coin)
or in bars of gold, that I am very credibly informed the carrier
from Falmouth brought by land from thence to London at one time, in
the month of January, 1722, or near it, eighty thousand MOIDORES in
gold, which came from Lisbon in the packet-boats for account of the
merchants at London, and that it was attended with a guard of
twelve horsemen well armed, for which the said carrier had half per
cent. for his hazard.
This is a specimen of the Portugal trade, and how considerable it
is in itself, as well as how advantageous to England; but as that
is not to the present case, I proceed. The Custom House for all
|
The third excerpt represents the future or something you must embrace, and is drawn from Beauty and The Beast by Bayard Taylor: pronounced her name--
"Asenath!"
She took away her hands, and slowly lifted her face. She was pale,
but her eyes met his with a frank, appealing, tender expression,
which caused his heart to stand still a moment. He read no
reproach, no faintest thought of blame; but--was it pity?--was it
pardon?--or----
"We stand before God, Richard," said she, in a low, sweet,
solemn tone. "He knows that I do not need to forgive thee. If
thee requires it, I also require His forgiveness for myself."
Though a deeper blush now came to cheek and brow, she met his gaze
|