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Today's Stichomancy for Halle Berry

The first excerpt represents the past or something you must release, and is drawn from Aesop's Fables by Aesop:

and waited. "I am in good luck to-day," thought he. "It is sure to cry soon, and a daintier morsel I haven't had for many a long day." So he waited, and he waited, and he waited, till at last the child began to cry, and the Wolf came forward before the window, and looked up to the Nurse, wagging his tail. But all the Nurse did was to shut down the window and call for help, and the dogs of the house came rushing out. "Ah," said the Wolf as he galloped away,

"Enemies promises were made to be broken."

The Tortoise and the Birds

A Tortoise desired to change its place of residence, so he


Aesop's Fables
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

symbols and rites and ceremonials, and (later no doubt) in myths and legends, which satisfied their FEELINGS and sense of fitness--though they may not have known WHY-- and afterwards were capable of being taken up and embodied in the great philosophical religions.

This difficulty almost compels us to a view of human knowledge which has found supporters among some able thinkers--the view, namely, that a vast store of knowledge is already contained in the subconscious mind of man (and the animals) and only needs the provocation of outer experience to bring it to the surface; and that in the second


Pagan and Christian Creeds
The third excerpt represents the future or something you must embrace, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

she being too honest a woman for the taste of the town. Wherefore I humbly beg your Majesty to give order that a theatre be endowed out of the public revenue for the playing of those pieces of mine which no merchant will touch, seeing that his gain is so much greater with the worse than with the better. Thereby you shall also encourage other men to undertake the writing of plays who do now despise it and leave it wholly to those whose counsels will work little good to your realm. For this writing of plays is a great matter, forming as it does the minds and affections of men in such sort that whatsoever they see done in show on the stage, they will presently be doing in earnest in the world, which is but a larger stage. Of late, as you know, the Church