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Today's Stichomancy for Harrison Ford

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Herland by Charlotte Gilman:

possibility for really noble qualities among the people at large.

Neither did they start off on predatory excursions to get more land from somebody else, or to get more food from somebody else, to maintain their struggling mass.

Not at all. They sat down in council together and thought it out. Very clear, strong thinkers they were. They said: "With our best endeavors this country will support about so many people, with the standard of peace, comfort, health, beauty, and progress we demand. Very well. That is all the people we will make."

There you have it. You see, they were Mothers, not in our sense of helpless involuntary fecundity, forced to fill and overfill


Herland
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Deserted Woman by Honore de Balzac:

themselves, and one and all loyally devoted to princes whom they only see at a distance. The historical house /incognito/ is as quaint a survival as a piece of ancient tapestry. Vegetating somewhere among them there is sure to be an uncle or a brother, a lieutenant-general, an old courtier of the Kings's, who wears the red ribbon of the order of Saint-Louis, and went to Hanover with the Marechal de Richelieu: and here you will find him like a stray leaf out of some old pamphlet of the time of Louis Quinze.

This fossil greatness finds a rival in another house, wealthier, though of less ancient lineage. Husband and wife spend a couple of months of every winter in Paris, bringing back with them its frivolous

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Happy Prince and Other Tales by Oscar Wilde:

silent. At noon the yellow lions come down to the water's edge to drink. They have eyes like green beryls, and their roar is louder than the roar of the cataract.

"Swallow, Swallow, little Swallow," said the Prince, "far away across the city I see a young man in a garret. He is leaning over a desk covered with papers, and in a tumbler by his side there is a bunch of withered violets. His hair is brown and crisp, and his lips are red as a pomegranate, and he has large and dreamy eyes. He is trying to finish a play for the Director of the Theatre, but he is too cold to write any more. There is no fire in the grate, and hunger has made him faint."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Elixir of Life by Honore de Balzac:

remorse that sometimes flitted through his soul in moments of physical weariness.

He had drawn up a list of the wealth heaped up by the old merchant in the East, and he became a miser: had he not to provide for a second lifetime? His views of life were the more profound and penetrating; he grasped its significance, as a whole, the better, because he saw it across a grave. All men, all things, he analyzed once and for all; he summed up the Past, represented by its records; the Present in the law, its crystallized form; the Future, revealed by religion. He took spirit and matter, and flung them into his crucible, and found--