Today's Stichomancy for Harry Houdini

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Alcibiades II by Platonic Imitator:

SOCRATES: And there cannot be two opposites to one thing?

ALCIBIADES: There cannot.

SOCRATES: Then madness and want of sense are the same?

ALCIBIADES: That appears to be the case.

SOCRATES: We shall be in the right, therefore, Alcibiades, if we say that all who are senseless are mad. For example, if among persons of your own age or older than yourself there are some who are senseless,--as there certainly are,--they are mad. For tell me, by heaven, do you not think that in the city the wise are few, while the foolish, whom you call mad, are many?

ALCIBIADES: I do.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from 1984 by George Orwell:

fallen right on the injured arm. Winston stopped short. The girl had risen to her knees. Her face had turned a milky yellow colour against which her mouth stood out redder than ever. Her eyes were fixed on his, with an appealing expression that looked more like fear than pain.

A curious emotion stirred in Winston's heart. In front of him was an enemy who was trying to kill him: in front of him, also, was a human creature, in pain and perhaps with a broken bone. Already he had instinctively started forward to help her. In the moment when he had seen her fall on the bandaged arm, it had been as though he felt the pain in his own body.

'You're hurt?' he said.

'It's nothing. My arm. It'll be all right in a second.'

1984

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Voyage to Arcturus by David Lindsay:

emotion. "Men think what they like, but phaens are so made that they can see the world only as it really is."

That ended the conversation.

The sun was high in the sky, and they appeared to be approaching the head of the ravine. Its walls had still further closed in and, except at those moments when Branchspell was directly behind them, they strode along all the time in deep shade; but still it was disagreeably hot and relaxing. All life had ceased. A beautiful, fantastic spectacle was presented by the cliff faces, the rocky ground, and the boulders that choked the entire width of the gorge. They were a snow-white crystalline limestone, heavily scored by veins

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Talisman by Walter Scott:

unwilling to appear less so. His episcopal dress was of the richest fashion, trimmed with costly fur, and surrounded by a cope of curious needlework. The rings on his fingers were worth a goodly barony, and the hood which he wore, though now unclasped and thrown back for heat, had studs of pure gold to fasten it around his throat and under his chin when he so inclined. His long beard, now silvered with age, descended over his breast. One of two youthful acolytes who attended him created an artificial shade, peculiar then to the East, by bearing over his head an umbrella of palmetto leaves, while the other refreshed his reverend master by agitating a fan of peacock-feathers.