| The first excerpt represents the past or something you must release, and is drawn from Ann Veronica by H. G. Wells: other. And Doctor Ralph stood by looking considerate. He and
her father shook hands manfully.
Ann Veronica had got quite interested in Mr. Bribble's rendering
of the service--he had the sort of voice that brings out
things--and was still teeming with ideas about it when finally a
wild outburst from the organ made it clear that, whatever
snivelling there might be down in the chancel, that excellent
wind instrument was, in its Mendelssohnian way, as glad as ever
it could be. "Pump, pump, per-um-pump, Pum, Pump, Per-um. . . ."
The wedding-breakfast was for Ann Veronica a spectacle of the
unreal consuming the real; she liked that part very well, until
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Copy-Cat & Other Stories by Mary E. Wilkins Freeman: he was shamed -- "you see, Content, now your big
sister Solly is married and gone out West, why, you
can have me for your brother, and of course a
brother is a good deal better than a sister."
"Yes," said Content, eagerly.
"I am going," said Jim, "to marry Lucy Rose
when I grow up, but I haven't got any sister, and
I'd like you first rate for one. So I'll be your big
brother instead of your cousin."
"Big brother Solly?"
"Say, Content, that is an awful name, but I don't
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The third excerpt represents the future or something you must embrace, and is drawn from Paradise Lost by John Milton: What might have else to human race been hid;
The discord which befel, and war in Heaven
Among the angelick Powers, and the deep fall
Of those too high aspiring, who rebelled
With Satan; he who envies now thy state,
Who now is plotting how he may seduce
Thee also from obedience, that, with him
Bereaved of happiness, thou mayest partake
His punishment, eternal misery;
Which would be all his solace and revenge,
As a despite done against the Most High,
 Paradise Lost |