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Today's Stichomancy for Hugh Grant

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Somebody's Little Girl by Martha Young:

Bessie Bell was so surprised at the first look that she hardly knew what to think.

The lady did not look like Sister Helen Vincula, oh, not at all; but the veil that she wore was soft and black like that that Sister Helen Vincula wore. The dress that the lady wore was black also, but it looked as if it were stiff and very crisp, and not soft like the dress that Sister Helen Vincula wore. Bessie Bell did not mean to be rude, but she reached out one tiny hand and took hold of the lady's dress, just a tiny pinch of it.

Yes, it was very crisp.

Then the lady turned and looked at Bessie Bell.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rise and Fall of Cesar Birotteau by Honore de Balzac:

soundness of that principle. Money is no respecter of persons; money has no ears, it has no heart. The winter is hard, the price of wood has gone up. If you don't pay me on the 15th, a little summons will be served upon you at twelve o'clock on the 16th. Bah! the worthy Mitral, your bailiff, is mine as well; he will send you the writ in an envelope, with all the consideration due to your high position."

"Monsieur, I have never received a summons in my life," said Birotteau.

"There is a beginning to everything," said Molineux.

Dismayed by the curt malevolence of the old man, Cesar was cowed; he heard the knell of failure ringing in his ears, and every jangle woke


Rise and Fall of Cesar Birotteau
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Within the Tides by Joseph Conrad:

in A.D. 1813 the writer was twenty-two years old caught my eye. Two and twenty is an interesting age in which one is easily reckless and easily frightened; the faculty of reflection being weak and the power of imagination strong.

In another place the phrase: "At night we stood in again," arrested my languid attention, because it was a sea phrase. "Let's see what it is all about," I thought, without excitement.

Oh! but it was a dull-faced MS., each line resembling every other line in their close-set and regular order. It was like the drone of a monotonous voice. A treatise on sugar-refining (the dreariest subject I can think of) could have been given a more lively


Within the Tides
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Twice Told Tales by Nathaniel Hawthorne:

limbs of a mortal man, showed the beard and horns of a venerable he-goat. There was the likeness of a bear erect, brute in all but his hind legs, which were adorned with pink silk stockings. And here again, almost as wondrous, stood a real bear of the dark forest, lending each of his fore paws to the grasp of a human hand, and as ready for the dance as any in that circle. His inferior nature rose half way, to meet his companions as they stooped. Other faces wore the similitude of man or woman, but distorted or extravagant, with red noses pendulous before their mouths, which seemed of awful depth, and stretched from ear to ear in an eternal fit of laughter. Here might be seen the Savage


Twice Told Tales