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Today's Stichomancy for Hugh Grant

The first excerpt represents the past or something you must release, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

our tale sounded realistic and prosaic enough not to tempt any of the others into emulating our flight. Had any tried to do that, I would have used every ounce of my persuasion to stop them - and I do not know what Danforth would have done. While we were gone, Pabodie, Sherman, Ropes, McTighe, and Williamson had worked like beavers over Lake’s two best planes, fitting them again for use despite the altogether unaccountable juggling of their operative mechanism. We decided to load all the planes the next morning and start back for our old base as soon as possible. Even though indirect, that was the safest way to work toward McMurdo Sound;


At the Mountains of Madness
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The People That Time Forgot by Edgar Rice Burroughs:

here we are as helpless as a lot of old ladies ten thousand miles away! We can't do a thing. We don't know what's happening. Why didn't he let one of us go with him?"

Yes, it was the machine-gun. We would hear it distinctly for at least a minute. Then came silence. That was two weeks ago. We have had no sign nor signal from Tom Billings since.

Chapter 2

I'll never forget my first impressions of Caspak as I circled in, high over the surrounding cliffs. From the plane I looked down through a mist upon the blurred landscape beneath me. The hot, humid atmosphere of Caspak condenses as it is fanned


The People That Time Forgot
The third excerpt represents the future or something you must embrace, and is drawn from Buttered Side Down by Edna Ferber:

Chicago, Mrs. Judge Porterfield had worn the negro porter's coat over her chilly shoulders in mistake for her husband's. Kate O'Malley can tell a funny story in a way to make the after-dinner pleasantries of a Washington diplomat sound like the clumsy jests told around the village grocery stove.

"I wanted to tell you that I read that last story of yours," said Millie, sociably, when I had strolled over to her counter, "and I liked it, all but the heroine. She had an `adorable throat' and hair that `waved away from her white brow,' and eyes that `now were blue and now gray.' Say, why don't you write a story about an ugly girl?"


Buttered Side Down