Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Hugh Grant

The first excerpt represents the past or something you must release, and is drawn from The Mirror of the Sea by Joseph Conrad:

his composition. Though their commander was a kind man in his way, and had made a point of introducing them to the best people in the town in order that they should not fall into the bad company of boys belonging to other ships, I regret to say that they made faces at him behind his back, and imitated the dignified carriage of his head without any concealment whatever.

This master of the fine art was a personage and nothing more; but, as I have said, there was an infinite diversity of temperament amongst the masters of the fine art I have known. Some were great impressionists. They impressed upon you the fear of God and Immensity - or, in other words, the fear of being drowned with


The Mirror of the Sea
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Sylvie and Bruno by Lewis Carroll:

broken this time. Why, none of them, I declare! And what's the good of having six legs, my dear, if you can only kick them all about in the air when you tumble? Legs are meant to walk with, you know. Now don't begin putting out your wings yet; I've more to say. Go to the frog that lives behind that buttercup--give him my compliments--Sylvie's compliments--can you say compliments'?"

The Beetle tried and, I suppose, succeeded.

"Yes, that's right. And tell him he's to give you some of that salve I left with him yesterday. And you'd better get him to rub it in for you. He's got rather cold hands, but you mustn't mind that."

I think the Beetle must have shuddered at this idea, for Sylvie went on


Sylvie and Bruno
The third excerpt represents the future or something you must embrace, and is drawn from Riders of the Purple Sage by Zane Grey:

tell you."

Briefly, in few words, Jane outlined the circumstances of her undoing in the weeks of his absence.

Under his beard and bronze she saw his face whiten in terrible wrath.

"Lassiter--what held you back?"

No time in the long period of fiery moments and sudden shocks had Jane Withersteen ever beheld Lassiter as calm and serene and cool as then.

"Jane had gloom enough without my addin' to it by shootin' up the village," he said.


Riders of the Purple Sage