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Today's Stichomancy for Hugh Hefner

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Young Forester by Zane Grey:

before I could find a foothold, the branch to which I was hanging snapped like a pistol-shot, and I plunged down with a crash. I struck the bear and the lower branch, and then the ground. The fall half stunned me. I thought every bone in my body was broken. I rose unsteadily, and for a moment everything whirled before my eyes. Then I discovered that the roar in my ears was the old hunter's yell. I saw him hauling on the rope. There was a great ripping of bark and many strange sounds, and then the cub was dangling head downward. Hiram had pulled him from his perch, and hung him over the lowest branch.

"Thar, youngster, git busy now!" yelled the hunter. "Grab the other rope-- thar it is--an' rope a front paw while I hold him. Lively now, he's mighty


The Young Forester
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Fanny Herself by Edna Ferber:

most office heads did on Saturday, during the warm weather. When her 'phone rang at eleven she answered it mechanically as does one whose telephone calls mean a row with a tardy manufacturer, an argument with a merchandise man, or a catalogue query from the printer's.

The name that came to her over the telephone conveyed nothing to her.

"Who?" Again the name. "Heyl?" She repeated the name uncertainly. "I'm afraid I--O, of course! Clarence Heyl. Howdy-do."

"I want to see you," said the voice, promptly.


Fanny Herself
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Heart of Darkness by Joseph Conrad:

to snare the fishes with, I don't see what good their extravagant salary could be to them. I must say it was paid with a regularity worthy of a large and honourable trading company. For the rest, the only thing to eat--though it didn't look eatable in the least--I saw in their possession was a few lumps of some stuff like half-cooked dough, of a dirty lavender colour, they kept wrapped in leaves, and now and then swallowed a piece of, but so small that it seemed done more for the looks of the thing than for any serious purpose of sustenance. Why in the name of all the gnawing devils of hunger they didn't go for us--they were thirty to five--and have a good tuck-in


Heart of Darkness
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Scaramouche by Rafael Sabatini:

well-advised retreat before a form of horseplay to which they were not at all accustomed.

And whilst that was taking place in the street below, in the room abovestairs the eloquent Le Chapelier was addressing his colleagues of the Literary Chamber. Here, with no bullets to fear, and no one to report his words to the authorities, Le Chapelier could permit his oratory a full, unintimidated flow. And that considerable oratory was as direct and brutal as the man himself was delicate and elegant.

He praised the vigour and the greatness of the speech they had heard from their colleague Moreau. Above all he praised its wisdom.