Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Hugh Jackman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Eighteenth Brumaire of Louis Bonaparte by Karl Marx:

moment. [#4 January, 1852]

The bulk of the Mountain had left its vanguard in the lurch by refusing their signatures to the proclamation; the press had deserted: only two papers dared to publish the pronunciamento; the small traders had betrayed their Representatives: the National Guards stayed away, or, where they did turn up, hindered the raising of barricades; the Representatives had duped the small traders: nowhere were the alleged affiliated members from the Army to be seen; finally, instead of gathering strength from them, the democratic party had infected the proletariat with its own weakness, and, as usual with democratic feats, the leaders had the satisfaction of charging "their people" with

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Juana by Honore de Balzac:

had ceased to be the father and the head of the family, Juana felt bound to him by no tie other than that imposed by conventional laws. Nevertheless, she brought up her children to the highest respect for paternal authority, however imaginary it was for them. In this she was greatly seconded by her husband's continual absence. If he had been much in the home Diard would have neutralized his wife's efforts. The boys had too much intelligence and shrewdness not to have judged their father; and to judge a father is moral parricide.

In the long run, however, Juana's indifference to her husband wore itself away; it even changed to a species of fear. She understood at last how the conduct of a father might long weigh on the future of her

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gobseck by Honore de Balzac:

not able to pay, they would show me more respect than they would show their own fathers. What tricks and grimaces would not the Countess try for a thousand francs! She would be so nice to me, she would talk to me in that ingratiating tone peculiar to endorsers of bills, she would pour out a torrent of coaxing words, perhaps she would beg and pray, and I . . .' (here the old man turned his pale eyes upon me)--'and I not to be moved, inexorable!' he continued. 'I am there as the avenger, the apparition of Remorse. So much for hypotheses. I reached the house.

" ' "Madame la Comtesse is asleep," says the maid.

" ' "When can I see her?"


Gobseck
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

I have said that all figures in Flatland present the appearance of a straight line; and it was added or implied, that it is consequently impossible to distinguish by the visual organ between individuals of different classes: yet now I am about to explain to my Spaceland critics how we are able to recognize one another by the sense of sight.

If however the Reader will take the trouble to refer to the passage in which Recognition by Feeling is stated to be universal, he will find this qualification -- "among the lower classes". It is only among the higher classes and in our temperate climates that Sight Recognition is practised.


Flatland: A Romance of Many Dimensions