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Today's Stichomancy for Ian McKellan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Light of Western Stars by Zane Grey:

other sound from outside. Slow, regular breathing attested to the deep slumbers of her tent comrades. She observed presently that Florence was missing from the number. Madeline rose and peeped out between the flaps.

An exquisitely beautiful scene surprised and enthralled her gaze. She saw a level space, green with long grass, bright with flowers, dotted with groves of graceful firs and pines and spruces, reaching to superb crags, rosy and golden in the sunlight. Eager to get out where she could enjoy an unrestricted view, she searched for her pack, found it in a corner, and then hurriedly and quietly dressed.


The Light of Western Stars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Master of the World by Jules Verne:

Our ascent began in this order. The two guides went in front to seek out the most practicable paths. Elias Smith and I followed more leisurely. We mounted by a narrow and not very steep gorge amid rocks and trees. A tiny stream trickled downward under our feet. During the rainy season or after a heavy shower, the water doubtless bounded from rock to rock in tumultuous cascades. But it evidently was fed only by the rain, for now we could scarcely trace its course. It could not be the outlet of any lake within the Great Eyrie.

After an hour of climbing, the slope became so steep that we had to turn, now to the right, now to the left; and our progress was much delayed. Soon the gorge became wholly impracticable; its cliff-like

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Heart of Darkness by Joseph Conrad:

A grand piano stood massively in a corner; with dark gleams on the flat surfaces like a sombre and polished sarcophagus. A high door opened--closed. I rose.

"She came forward, all in black, with a pale head, floating towards me in the dusk. She was in mourning. It was more than a year since his death, more than a year since the news came; she seemed as though she would remember and mourn forever. She took both my hands in hers and murmured, `I had heard you were coming.' I noticed she was not very young--I mean not girlish. She had a mature capacity for fidelity, for belief, for suffering. The room seemed to have grown darker, as if all the sad light


Heart of Darkness
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Memorabilia by Xenophon:

[8] Or, "good and beautiful are convertible terms: whatever is good is beautiful, or whatever is beautiful is good."

[9] Or, "in the same breath." Cf. Plat. "Hipp. maj." 295 D; "Gorg." 474 D.

[10] Or, "and this standard is the serviceableness of the thing in question."

Aristip. Then I presume even a basket for carrying dung[11] is a beautiful thing?

[11] Cf. Plat. "Hipp. maj." 288 D, 290 D; and Grote's note, loc. cit. p. 381: "in regard to the question wherein consists {to kalon}?"

Soc. To be sure, and a spear of gold an ugly thing, if for their


The Memorabilia