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Today's Stichomancy for Ian McKellan

The first excerpt represents the past or something you must release, and is drawn from Flower Fables by Louisa May Alcott:

and forgiving as his kindred. So the kind little Fairy left her home and friends to go with him; and thus, side by side, they flew beneath the bright summer sky.

On and on, over hill and valley, they went, chasing the gay butterflies, or listening to the bees, as they flew from flower to flower like busy little housewives, singing as they worked; till at last they reached a pleasant garden, filled with flowers and green, old trees.

"See," cried Thistledown, "what a lovely home is here; let us rest among the cool leaves, and hear the flowers sing, for I am sadly tired and hungry."


Flower Fables
The second excerpt represents the present or the deciding factor of the moment, and is drawn from New Poems by Robert Louis Stevenson:

Sings roundly in the trees - Bury me low and let me lie Under the wide and starry sky. Joying to live, I joyed to die, Bury me low and let me lie.

WHAT MAN MAY LEARN, WHAT MAN MAY DO

WHAT man may learn, what man may do, Of right or wrong of false or true, While, skipper-like, his course he steers Through nine and twenty mingled years, Half misconceived and half forgot,

The third excerpt represents the future or something you must embrace, and is drawn from Emma by Jane Austen:

at Randalls, how soon it would be over Highbury; and were thinking of themselves, as the evening wonder in many a family circle, with great sagacity.

In general, it was a very well approved match. Some might think him, and others might think her, the most in luck. One set might recommend their all removing to Donwell, and leaving Hartfield for the John Knightleys; and another might predict disagreements among their servants; but yet, upon the whole, there was no serious objection raised, except in one habitation, the Vicarage.--There, the surprize was not softened by any satisfaction. Mr. Elton cared little about it, compared with his wife; he only hoped "the


Emma