| The first excerpt represents the past or something you must release, and is drawn from Astoria by Washington Irving: Over this kihei, or mantle, larger than that of the men,
sometimes worn over both shoulders, like a shawl, sometimes over
one only. These mantles were seldom worn by either sex during the
heat of the day, when the exposure of their persons was at first
very revolting to a civilized eye.
Towards evening several of the partners and clerks went on shore,
where they were well received and hospitably entertained. A dance
was performed for their amusement, in which nineteen young women
and one man figured very gracefully, singing in concert, and
moving to the cadence of their song.
All this, however, was nothing to the purpose in the eyes of
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Falk by Joseph Conrad: dred-ton barque, drawing nine feet aft. I pro-
posed to give him eighteen dollars for his local
knowledge; and all the time I was speaking he
kept on considering attentively the various aspects
of the banana, holding first one side up to his eye,
then the other.
"You've forgotten to apologise," he said at last
with extreme precision. "Not being a gentleman
yourself, you don't know apparently when you in-
trude upon a gentleman. I am one. I wish you to
understand that when I am in funds I don't work,
 Falk |
The third excerpt represents the future or something you must embrace, and is drawn from Far From the Madding Crowd by Thomas Hardy: "You are a prisoner, miss; it is no use blinking the
matter." said the soldier, drily. "I must cut your dress
if you are in such a hurry."
"Yes -- please do!" she exclaimed, helplessly. "
"It wouldn't be necessary if you could wait a
moment," and he unwound a cord from the little
wheel. She withdrew her own hand, but, whether by
accident or design, he touched it. Bathsheba was
vexed; she hardly knew why.
His unravelling went on, but it nevertheless seemed
coming to no end. She looked at him again.
 Far From the Madding Crowd |