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Today's Stichomancy for Italo Calvino

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Anne of Green Gables by Lucy Maud Montgomery:

the pigs' bucket, and walking clean over the edge of the log bridge into the brook while wrapped in imaginative reverie, not really being worth counting.

A week after the tea at the manse Diana Barry gave a party.

"Small and select," Anne assured Marilla. "Just the girls in our class."

They had a very good time and nothing untoward happened until after tea, when they found themselves in the Barry garden, a little tired of all their games and ripe for any enticing form of mischief which might present itself. This presently took the form of "daring."

Daring was the fashionable amusement among the Avonlea small fry just then. It had begun among the boys, but soon spread to the girls,


Anne of Green Gables
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

surface of the earth. It was now quite dark, and as I crept around the edge of the cliff, I saw at a little distance a great fire around which were many figures--apparently human figures. Cautioning Nobs to silence, and he had learned many lessons in the value of obedience since we had entered Caspak, I slunk forward, taking advantage of whatever cover I could find, until from behind a bush I could distinctly see the creatures assembled by the fire. They were human and yet not human. I should say that they were a little higher in the scale of evolution than Ahm, possibly occupying a place of evolution between that of the Neanderthal man and what is known as the Grimaldi race. Their features


The Land that Time Forgot
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Alexandria and her Schools by Charles Kingsley:

while we forget that paths were made that men might walk in them, and not stand still, and try in vain to stop the way.

It may be said, certainly, as an excuse for these Alexandrian Greeks, that they were a people in a state of old age and decay; and that they only exhibited the common and natural faults of old age. For as with individuals, so with races, nations, societies, schools of thought-- youth is the time of free fancy and poetry; manhood of calm and strong induction; old age of deduction, when men settle down upon their lees, and content themselves with reaffirming and verifying the conclusions of their earlier years, and too often, alas! with denying and anathematising all conclusions which have been arrived at since their

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from War and the Future by H. G. Wells:

When they pressed me further, I said: "I am really the questioner. I am visiting /your/ country, and you have to tell /me/ things. It is not right that I should do all the telling. Tell me all about Romain Rolland."

And so I pressed them about the official socialists in Italy and the Socialist minority in France until I got the question out of the net of national comparisons and upon a broader footing. In several conversations we began to work out in general terms the psychology of those people who were against the war. But usually we could not get to that; my interlocutors would insist upon telling me just what they would like to do or just what they